Tuesday 12 November 2019

'Manon' at the Royal Opera House

The Royal Ballet's 'Manon' is a staple in their repertoire and is a sad tale of love and loss. There are energetic ensemble dances and gentle, poignant duets between our lovers, pain and despair, rape and murder, poverty and riches, it's all in there. It's a grand tale spanning class and continents. We were there to see the return of Steven McRae in his first show since recovering from an injury that's kept him off the stage for most of the year.

We meet young Manon when she arrives at a coach station outside Paris, fresh from a  convent and naive. Her brother spots an opportunity to make some money since a rich gentleman is instantly taken with her and, while they discuss prices, Manon meets the student Des Grieux and they fall in love. They run off to Paris but are tracked down by Manon's brother and the rich man and she is seduced by the jewels and furs he offers and she goes off with him. They meet up again later at a party and Manon and Des Grieux agree to run off again together but they're caught again and her brother is shot by the rich man and she's arrested as a prostitute. She's deported to a penal colony in New Orleans with other women in the same position and there, yes, you guessed it, the commander takes a shine to her, arrests her and has her delivered to his office to rape her. Des Grieux has traveled with her, kills the commander and they escape into the everglades where Manon dies and leave his alone for the last time. The message here is not to get seduced by wealth because it'll end badly.

This is the Royal Ballet so it's expected that the dancing will be excellent and it was. I particularly liked the ensemble dances which were really quite exceptional with great synchronisation, such as the dance of the strumpets at the party where they show off their wares - themselves - to the guests and then later the women coming off the ship in New Orleans, distressed and ashamed, dressed in rags and with their hair cut off. That was a particularly moving dance with the women almost fainting, unsure and confused - a beautiful bit of choreography and performance.

Akane Takada was a good, waif-like  Manon and Steven McRae danced Des Grieux with all the skill and vigour we've come to expect from a  dancer at the top of his game. It was great to see him bring his skills in dance and in characterisation to the stage of the Royal opera House again.

All was going well until the start of the last scene in Act Two when Des Grieux comes on alone to dance and, after a couple of leaps, something obviously was wrong as Steven stood still on one leg and then hopped off the stage to protect his injured leg. The curtains closed and the show stopped as we were told there was a problem and then told that Steven was injured and the production would continue with Reece Clarke dancing his role. That must've been a terrible moment for Steven, back to dancing only to face another injury. It must've been difficult for Akane as well, used to dancing with Steven and now having someone much taller stepping in to finish the show. Well done to Reece for stepping in.

It turned out the Steven snapped an Achilles tendon, has had an operation and now faces a long recovery again. As is typical of him, he's already posted photos of himself exercising and determined to recover and get back on stage. When you're ready to get back on that grand stage we'll be there to see you again.

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