Friday, 22 November 2019

'Hansard' at the National Theatre

'Hansard' is a new play by Simon Woods playing in the Lyttelton at the National Theatre starring Alex Jennings and Lindsay Duncan. It seems to be part of the recent trend for short plays with no interval and this one is only 90 minutes long. It's a double-header between the two main characters but I'm not sure why it's called Hansard - Hansard is the official record of debates in the Houses of Parliament and, other than the male character being an MP I didn't really notice anything that might link the play to the official record.

The play is set in 1988 and the male lead is a junior minister inThatcher's Tory government who arrives at his Cotswolds home after a hard week of interviews and votes in the House. His bored wife still hasn't dressed yet or prepared for his little birthday party and the bickering starts. Snipes here and snipes there, snide language from both in what seems like a regular argument they have each weekend when he arrives home.  

This time the sniping takes a different turn when the wife seems to have discovered that her husband has been away overnight and his secretary thinks he's been away with her. But she spent the night alone in their London flat. O dear, he's not just another lying, cheating politician is he? As it turns out, he's not, and the thing they've managed to not talk about slowly comes out after years of silence. It's quite touching in that respect but I won't say what it is - see it for yourself.

It's an odd play and it wasn't too subtle in signposting the '80s with loads of references to the miners strike, AIDS, clause 28, Thatcher and everything except tucking your jumpa into your jeans and electronic music. What's wrong with electronic music? I did think it was nicely plotted - but possibly over-plotted? - and led to an interesting discussion afterwards.

It was all set in a very large kitchen - I bet that kitchen gets really cold in winter.

No comments: