We caught 'Ain't Misbehavin' in it's final week at Southwark Playhouse. It's subtitled 'The Fats Waller musical' and that's exactly what it is, a collection of his songs loosely strung together to tell tales of life in and around the nightclubs of Harlem in New York in the 1920s. There's no story as such but the songs tell the tales of people in the clubs, of racism, domestic abuse, love and the joy of the dance.
Southwark Playhouse is a small space and uses that to its advantage with imaginative staging, moving the seating around to accommodate the action. The 'stage' is just the floor of the theatre but this time it was covered in some shiny, gold material and the focal point was the bandstand at one end with all it's glitter and lights, gold and orange/red - it immediately pulled the eye.
Southwark Playhouse is a small space and uses that to its advantage with imaginative staging, moving the seating around to accommodate the action. The 'stage' is just the floor of the theatre but this time it was covered in some shiny, gold material and the focal point was the bandstand at one end with all it's glitter and lights, gold and orange/red - it immediately pulled the eye.
The cast were all excellent singer/dancers, rarely still, belting out the songs with gusto, living the reality of the songs and, every now and then, a slower song to calm things down to allow another build up later.
The energetic cast were Adrian Hansel, Renée Lamb, Carly Mercedes Dyer, Landi Oshinowo, Wayne Robinson and all were on top form. It was quite nice to be able to relax into the show without having to keep track of the plot or what a character might do next because there is no plot, it's a collection of songs telling multiple stories and you never know if the next one will be a ballad, a social commentary or an out-and-out fun-fest with arms and legs flung in every direction. I think I smiled and grinned throughout the whole show, tapping my foot and eager for the next song.
I'm really pleased that I saw this production and was introduced to these dynamic actors who brought it all to life. And great thanks to director Tyrone Huntley, choreographer Oti Mabuse (yes, the dancer from 'Strictly') and the amazing set designed by Takis. Well done all, and well done to Southwark Playhouse for putting it on in the first place.
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