I saw the revival of Steven Sondheim's 'Follies' at the National Theatre in 2017 (see here for that blog) and it was so successful that the production has been brought back with many of the original cast. It's a big show and isn't performed that often so it's nice to have the opportunity to see it again. It's back on the big Olivier stage with the same sets and staging but there are some small changes and it's these I'll focus on here.
The key changes are the addition of Joanna Riding and Alexander Hanson as Sally and Ben (replacing Imelda Staunton and Philip Quast) and the addition of Harry Hepple as the young Buddy. We also had Felicity Lott temporarily replacing Josephine Barstow as Heidi, the operative Weismann Girl. At first, it was odd seeing Joanna in Imelda's place but I gradually warmed to her in that role - it must've been a big decision (as well as a big opportunity) to step into Imelda's shoes but I think she did it quite successfully. It was also good to see Alexander again and he worked well with Janie Dee as his stage wife.
One of the most noticeable changes for me was to see the 'ghosts' of the past shadowing the 'current' selves throughout the performance. Whenever Sally or Phyllis or any of the cast were on stage they were clearly shadowed by their younger selves in full costume. I really liked this link between the 'now' and the 'then' that they are all nostalgic about in a ruined theatre about to be turned into a car park.It worked really well.
It was nice to see Dawn Hope and Tracie Bennett belt out their show-stoppers (which is exactly what they are). Janie Dee was also on top form. Surprise of the evening went to Joanna Riding singing 'Losing My Mind' (which she is clearly doing) by downing a handful of pills (not really) and pulling off her wig on the final note of the song. That was a big wow moment.
Well done all, a great re-creation of the production that was a joy to see again. If you're in London you could do a lot worse that get tickets (if you can) to see this show.
The key changes are the addition of Joanna Riding and Alexander Hanson as Sally and Ben (replacing Imelda Staunton and Philip Quast) and the addition of Harry Hepple as the young Buddy. We also had Felicity Lott temporarily replacing Josephine Barstow as Heidi, the operative Weismann Girl. At first, it was odd seeing Joanna in Imelda's place but I gradually warmed to her in that role - it must've been a big decision (as well as a big opportunity) to step into Imelda's shoes but I think she did it quite successfully. It was also good to see Alexander again and he worked well with Janie Dee as his stage wife.
One of the most noticeable changes for me was to see the 'ghosts' of the past shadowing the 'current' selves throughout the performance. Whenever Sally or Phyllis or any of the cast were on stage they were clearly shadowed by their younger selves in full costume. I really liked this link between the 'now' and the 'then' that they are all nostalgic about in a ruined theatre about to be turned into a car park.It worked really well.
It was nice to see Dawn Hope and Tracie Bennett belt out their show-stoppers (which is exactly what they are). Janie Dee was also on top form. Surprise of the evening went to Joanna Riding singing 'Losing My Mind' (which she is clearly doing) by downing a handful of pills (not really) and pulling off her wig on the final note of the song. That was a big wow moment.
Well done all, a great re-creation of the production that was a joy to see again. If you're in London you could do a lot worse that get tickets (if you can) to see this show.
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