I loved that room, total blackout apart from the disco lights and mirrors everywhere to disorient the viewer as we walk through the room in pitch black and primary colours. It was a great experience to walk through that room and it was over too quickly. If you're going, then linger to drink it all in, the sheer madness and delight of the place. It's great to go inside the art and be part of it - it's a different piece of art when I'm in it than when someone else is in it.
This is where my only criticism of the place seeps in. After seeing the flowers some people turned round to leave because there was no signage to say there was any more of the exhibition. Luckily, I'm bolshy so I walked over to the door furthest away to see what was over there and was welcomed and told to take the lift to the top floor. Which I did. And was greeted by some of the biggest and most colourful paintings I've seen in a long time.
There are photocopied guides to the paintings with their individual names on so you can identify your favourites but I suggest you look at the paintings first and make your own mind up about what they're about before you read the titles. I loved these paintings and would happily have one on my wall - I could only fit one on my wall comfortably, sadly.
To find out more about the works pick up a copy of the small leaflet from the shop/office - I only noticed it as I was leaving. It's a ticketed exhibition and the tickets are free - check the Victoria Miro website for availability.
This was my first experience of Yayoi Kusama and I'm so pleased to have found her at last. This is an exhibition to set your spirit free and your heart soaring, just give in and let the joy in. I'm looking forward to seeing more of her works now.
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