
The first part of the show is Cerys reading poems while the Ballet dance followed by an interval and then we had 'A Child's Christmas'. We were lucky enough to Cerys in person reading the poems in the first half on stage while a recording of her voice was used for the dance sequence for 'A Child's Christmas'. It was lovely to see her on stage again even though she was hidden under a big hat and her bright red boots were a distraction.
I wasn't sure what to expect and I'd never been to the Lilian Baylis Studio at Sadler's Wells before so it was an evening of surprises. Keyboards at the edge of the stage and seat for Cerys with an empty stage for the Ballet to use and slowly fill with dancers. It wasn't so much ballet as modern dance, often interpretive of the text of the poetry and you know what? It worked. The choreography was mainly a subtle reflection of the texts being read with some random moves and athleticism, a leap here and a roll there, but none of it felt out of place. I mean, how do you choreograph a dance to 'Do not go gentle' or to 'Death shall have no dominion'? Not an easy task.

There wasn't a cast list saying who played which role - and they all played many roles - but I really liked the dancers who played the young Dylan and his slightly tipsy aunt drinking cocktails who I think were Xolisweh Richards and Krystal Lowe. I also liked Robbie Moorcroft and Daniel Morrison as strong centrepieces in the twisting, twirling dances. Looking at the biographies in the programme, it's dd to see that none of the cast were from Wales.
If you want to hear Cerys reading Dylan Thomas you could always get her record. I already have it but only play it in December in the run up to Christmas. It worth getting, trust me.
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