
It's the tale of Jewish immigrants from Eastern Europe into New York in the 1900s, fresh off the boat and needing $20 to be allowed entry into the USA. We meet a young mother who has skills at lace-making and sewing, with her young son, who somehow get allowed entry and end up living and working in a family home making dresses for the rich German Jew who sells them at a profit. The young mother gradually influences the dress designs, takes on a private clientele and, at the end, opens her own shop. In the meantime we see the tensions between the different ethnic groups starting out their new lives in New York, the Italian community, the Irish community, all being looked down on by the 'established' American community wanting to end unrestricted immigration. There's a lot of current political messages in this play from the 1980s.
The book was rather relentless in it's emphasis on the Jewishness of the main characters, with every opportunity being taken to put the word 'Jew' in there somewhere. It was also a bit New York Jewish stereotypical with every character in there plus the young Jewish songwriter who wants to make music rather than work in a sewing sweatshop. Yes, we *know*.
That is all in the book and the songs but something at the end that really irritated me was down to the direction. At the end all the characters come on stage including the young girl who dies in a sweatshop fire but she mounts some risers and poses like the figure of Delacroix's 'Liberty' in the famous painting. Melodramatic nonsense or what? It struck me as rather cynically just looking for a nice image for people to leave with.

If you're fan of musicals then go and see it, it's really not that bad and it's unlikely to be staged again for quite a while. If you're a fan of 'Wicked' then no, don't go. I'm pleased I saw it.
No comments:
Post a Comment