
We first meet Joey as a pony learning to run and gambol and being sold at auction to a drunken farmer.The farmer's son Albert trains Joey and is distraught when he's sold to the army to be an officers horse. We also meet Joey's rival and friend Topthorn, another officer's horse. We follow Joey to France and the trenches of the First World War and so does an underage Albert, seeking his friend. We follow their adventures as the war progresses until Albert is temporarily blinded by mustard gas and is convalescing when an injured horse is brought into the same camp who has been rescued from the barbed wire protecting the trenches.

There is, of course, another hero in the play, and that is Mr Goose who lives on the same farm as Joey and Albert. One day he *will* make it inside that farmhouse. It's inevitable, really. It's a great credit to the Handspring puppeteers that they can imbue their creations with so much character and make the audience love them. Just as Joey really is a horse, Mr Goose really is a goose with his own agenda and ambitions to fulfil and, one day ... O yes, one day...
Does anyone go to see 'War Horse' to see the actors and the human story or do we go to see the story of a horse? I think it's the latter and I didn't really bother about the humans. I didn't really think that any of the actors were that great or managed to take the shine off the horses and goose. Thomas Dennis played Albert and Jo Castletown play his careworn mother but, really, so what? They were simple reflections of Joey's glory. We also had Peter Becker as the German officer who tries to save Joey and Topthorn. They're not terribly strong roles and just add some light and shade to the story of Joey, the War Horse.
It was lovely to see Joey, Topthorn and Mr Goose again, particularly in this anniversary year, and, I suspect, 'War Horse' gets more tears than many of the other commemorations of the war to end all wars.
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