After seeing the Fra Angelico exhibition in the new wing of the museum I walked through the glass tunnel to 'the Palace', the name now given to Isabella's house and art mansion. At first, I thought it was a bit like Leighton House in Kensington, a period residence full of art, but this is so much more and so much bigger. One of the prides of the collection is a portrait of Isabella by John Singer Sargent that is on display in one of the corner rooms upstairs. I quickly came to the conclusion that this museum should definitely be on anyone's top ten list of places to visit in Boston and, for an art lover, I'd say top five.
Once you're through the tunnel you come to the courtyard garden. My first reaction was to wonder where all the snow was? There was a foot or so of snow outside, so where was it? Looking up, I saw a glass ceiling protecting the garden and enabling the plants to grow and flower. You can't go into the garden but can walk all the way round it. There's a central mosaic and loads of statues dotted around the planting. Given the whiteness of the snow outside, it was odd to see all the greenery in the courtyard. I bet it's lovely in spring and high summer.
The mansion is very big and three stories high and that makes exploring it really interesting, never knowing what you might come across next. To a layman, the layout of the place makes little sense with X painting next to Y period desk and chairs and Z painting opposite with a gothic altarpiece just to the right... it's a right hodge-podge of stuff thrown together for reasons I can't fathom. Like having a Botticelli Virgin & Child in the alcove of a corridor that people will most likely miss and turn left along the corridor rather than right to see the painting. Most museums would have a Botticelli front and centre with big lighting and signage. Not here.
In a talk in the Fra Angelico exhibition I learned that everything in the museum was put where Isabella Stewart Gardner wanted it and it's part of the bequest that the location can't be changed. Fair enough, it's her art and she can place it where she wants. Like placing the Fra Angelico reliquary on the side of a fireplace that makes it easy to miss unless you look but it's beside a north-facing window so it gets consistent sunlight rather than the vagaries of morning/afternoon sunlight.
In one room you actually enter under a wooden pulpit. I was too busy looking round the room to look for another gem but I suspect the pulpit was Italian and her guests probably played with it, making speeches or wotnot from the platform.
I really liked the 'you never know what you'll find next' experience of wandering around that big old house. All built around that lovely courtyard garden with lots of windows looking out over it so it really is central to the place. So much art in there: paintings, tapestries, furniture, sculpture and the house itself. What must it have been like to live surrounded by all that art? Not all of it is great art, but it's definitely interesting art.
So if you're in Boston and you like art then you could do a lot worse that spend a couple of hours in the Gardner Museum. It's just a few minutes walk from the Museum of Fine Art and you get a discount on the MFA ticket if you show your Gardner Museum ticket (the MFA ticket desk saw my Gardner Museum bag and helpfully mentioned it). The Gardner Museum also has a great little restaurant and gift shop. It also has best toilets in Boston - just look at all that green!
No comments:
Post a Comment