
It tells the story of nine black teenagers arrested in Alabama for the rape of two white women in 1931 and all are convicted despite there being no evidence of rape. We see the lads young and hopeful, riding the train to a better life and jobs when it all falls apart and they're thrown into jail. They become a cause celebre for the North against the South which really doesn't help the lads, even when one of the women admits in court that she lied. Eventually the four youngest lads are released and the other five serve their sentences.
That makes it sound terribly serious - and the underlying story is serious - but that's where Kander & Ebb come in to make it a musical worthy of the stage to tell the story and get it before audiences. They use the theme of an old fashioned Southern minstrel show to tell the story and give it structure. I have to admit that I recognised this early on by remembering the 'Minstrel' section from the film 'White Christmas', one of the first big song 'n' dance numbers in the film.

And shadowing many of the scenes is a silent and mysterious woman, the only woman in the show. Who is she?

The show ends by taking the minstrel theme to it's ultimate conclusion in which all the black actors come on stage all blacked up and with white lips like minstrels of old. They each tell their story and what happened to them next - and none of it is pretty - before wiping off the make-up and leaving the stage as the Interlocutor commands them to perform. This was received in silence only to be followed by a standing ovation from much of the audience.
I'd recommend seeing this show if you can - there's something here for everyone.
And who is the mysterious shadow woman? You'll just have to see the show to find that out...
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