After snatching my copy of 'No, Virginia' from the new release shelves I headed downstairs to check on the Buffy Sainte-Marie records. The last time I was in HMV and dutifully went down to tidy up the Buffy records I found a new one so who am I to scoff? Sadly there were no new Buffy records yesterday. But ...
The Buffy wires have been a-buzzing with the news that three of Buffy's early '70s albums - 'Buffy', 'Changing Woman' and 'Sweet America' - will finally be released on a double CD at the end of June. It's showing on Amazon as a pre-order but there's no information about it, whether it's remastered or anything, but that's good news anyway. Now all we need is a release date for 'Running For The Drum', Buffy's album of new material, some of which I heard her play when I saw her at the Highline Ballroom in March.
'Little Dreamer' by Beth Rowley

This album will reward repeated listenings, probably late night listenings, and the songs will grow on you. There's a great selection of songs, very mature songs, all of which are perfect for Beth's voice which is always to the fore. About half of the album has been available for download from iTunes for some time (the 'Violets' EP and two follow-up singles) so it's nice to hear the new songs.
Favourites are 'Oh My Life' which reeks of sunshine, the reggae-ified version of 'I Shall Be Released', 'You Never Called Me Tonight' and 'When The Rains Came'. The only mistake seems to be 'Angels Flying Too Close To The Ground', a duet with Duke Special - if someone is being sold on their voice why include a duet, and a relatively poor one at that? Seems daft and it's the weakest track for me.
Give it a listen if you get the chance, it's class stuff.
'We Started Nothing' by The Ting Tings

The music is minimalist, reliant on rhythm and beat with some interesting lyrics thrown over the tunes . The record includes the previous single, 'Great DJ' (was that targeted at getting radio play?) as well as the current one, and all the tracks sound like they're potential singles. I like it and they seem to have hit 'now' but I can't help wondering whether I'll listen to this album in a years' time? But does that matter?
'Shut Up And Let Me Go' opens with a blatant Chic guitar rip-off which sounds fabulous. Something that I do find a bit irritating is the London/Essex 'estuary' glottal stop appearing in the vocals when she's from the North West. Please don't.
'All Things Must Pass' by George Harrison

'Ask Me Again' by Nancy La Mott

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