'The Sleeping Beauty' at the Royal Opera House

The autumn season is well underway at the Royal Opera House so it must be time for 'The Sleeping Beauty' which has a special place in the repertoire of the Royal Ballet. It was the production that re-opened the Opera House after the war and has been performed many times. I was lucky enough to see the 910th performance at the Royal Opera House. Like most of the classic ballets, it was choreographed by Marius Petipa and this ballet has music by Tchaikovsky. It also has additional choreography by Frederick Ashton, Anthony Dowell and Christopher Wheeldon.

This production is designed to be loved. It has a cast of thousands, loads of pretty period costumes and lots of costume changes, gorgeous music and lovely solo and ensemble dancing. Spectacle from start to finish. What's not to love about it? A story we all know of the princess being cursed and pricking her finger only to be awoken one hundred years later by loves first kiss from her prince and they live happily ever after. There are  adventures aplenty along the way with the evil Carabosse's rat attendants, the fairies and their gifts for the baby princess and, of course, the brave Lilac Fairy who defends our princess from the evil witch.

There are very few slow movements in this ballet, constant movement is the theme and it must be very tough on any ballerina who dances Princess Aurora since she spends so much time on tippy, particularly during the Rose Adagio when she's en pointe for several minutes as four princes try to win her hand. Luckily for us, she meets the right prince 100 years later when he wakes her with a kiss. The princess only appears in Act Two since she's a baby in Act One and the Prince appears in Act Three so it's not too strenuous.

The long third act introduces us to the special guests at the betrothal of our princess and prince, fairytale characters from old stories, like Puss in Boots and Little Red Riding Hood. It may be high end ballet but it's not above having a bit of fun with the production. The amazing leaps of the bluebird, the cat-licking and jumps of the cats and the attacks of the Wolf all add another layer to the ballet, showing it's grounded in deeper, old, folk tales. I admit to loving the felines as they lick themselves and jump and skip every time they take the stage.

If you want to see a classic ballet for the first time then you can do a lot worse than choosing this one. Lasses in tutus and lads in tights, colour and spectacle, everything you think might be in a ballet is in this production. It's gorgeous.

In a late change due to injury our Princess Aurora was the excellent Fumi Kaneko and Prince Florimund was Reece Clarke, the evil Carabosse was Christina Arestis and the heroic Lilac Fairy was danced by Itziar Mendizabal. The licky cats were Leo Dixon and Ashley Dean.  They were all dead fab but it's always good to see Itziar do her stuff, since she is so graceful as well as technically perfect. Well done to Fumi for stepping up with only a couple of days notice, she gave a very impressive performance and is definitely someone to watch.

'Mr Wonderful' at Sadler's Wells

Jonathan Ollivier died last summer on his way to his last performance in Matthew Bourne's 'The Car Man' at Sadler's Wells. Monday evening saw the gala performance of his friends and colleagues to celebrate his life and raise funds for a trust fund for his children. 'Mr Wonderful - A Celebration of Jonathan Ollivier's Life In Dance' was held at Sadler's Wells and hosted by Sir Matthew Bourne. I hope his wife and children were there since it was a great night and a great tribute to him.

It was hosted by New Adventures and Northern Ballet with Sadler's Wells so we were treated to scenes from various productions, some of which Jonathan had danced in. The title of the show - 'Mr Wonderful ' - came from a short piece that Matthew Bourne choreographed 25 years ago ( and danced in) to the song of the same name sung by Peggy Lee. Out of the six dancers, four were former Princes from 'Swan Lake' and one was the Swan - that's a great ensemble in anyone's book! It was great fun to see it, funny and precise, and it should be seen often.

There were scenes from some of Matthew Bourne's shows including 'Sleeping Beauty', 'Play Without Words' and 'The Car Man' with a film of Jonathan in 'Spitfire', Rambert did two brilliant pieces 'Hidden' and 'Gypsy Souls', Marcelo Gomes danced to the thrilling violin playing of Charles Yang in 'Paganini' and Northern Ballet gave us the terribly romantic 'Wuthering Heights' and a scene from 'Saphire'. A great piece from the Michael Clark Company was the edgy 'come, been and gone' to 'The Jean Genie' by David Bowie with Mick Ronson's guitar shrieking at the walls as the dancers strode around the stage. There was a lot more and we even had the Temptations from the new show 'Motown' singing 'My Girl'.

The evening ended, of course, with 'Swan Lake', with the Swan and the Prince, the daft swans dancing to the Sugar-Plum Fairy sequence and getting great laughs and applause and it was lovely to see those excerpts from a great work. It ended with the swans all sitting on the stage with their backs to the audience and we saw Jonathan dance on the screen at the back of the stage, ending with his triumph. How touching. And when the swans started clapping and giving their tribute, so we all stood for a standing ovation as the other dancers joined them on stage and it went on and on.

Sir Matthew Bourne had mentioned earlier in the evening that tickets sales had already raised £65,000 to set up a trust fund for Jonathan's sons and invited us to text donations and you can donate at http://uk.virginmoneygiving.com/fund/inmemoryofjonathanollivier.

'Sleeping Beauty' at the New Wimbledon Theatre

On Saturday I experienced the joy of seeing Matthew Bourne's 'Sleeping Beauty' again, this time as part of the national tour at the New Wimbledon Theatre. I saw it at Sadler's Wells in December as a Christmas treat and it was a delight to see it again. How it didn't win any Olivier Awards this year is a great puzzlement - great storytelling and dancing, great costumes and great sets.

My previous bloggie about the production says it all really, gorgeous, sumptuous and lush are apt words to describe it. And, dare I say it, but a second viewing makes it even better. It is a masterpiece of storytelling and I loved hearing the gasps at the end of the first half when the faerie prince prepares to bite the neck of the young lover to make sure he's still alive 100 years later to rescue the princess.

It is a war of good and evil fought by dance, with the good faeries protecting our princess. They all have their own personalities and dances, frisking round the stage and dancing their gifts to the princess as a baby. The only non-sensible thing about it is calling the faerie prince 'Count Lilac' - a daft name in anybody's book, he is a prince of great power and skill, obviously.

The UK tour is coming to an end but will continue across America. According to the New Adventures site it's being filmed this week in Bristol for a TV viewing over Christmas 2013 and for a subsequent DVD. I'll be there in front of the telly ready to be stunned again. That's definitely something to watch out for.

The Plastic Bag Awards 2012

It's time for the annual Plastic Bag Awards, the Baggies 2012.

2012 has been a special year for us in London with the Olympics and Paralympics over the summer and, before that, the Queen's Diamond Jubilee. So much has been going on from Shakespeare plays being acted by actors from all over the world in their own languages at the Globe to pop-up themed musical festivals all along the Thames. As every year, there are revivals and tours, new records released and exhibitions of the great and beautiful. In other words, a lot to choose from.

Best Theatre - Play

The five nominees for best play are:

• She Stoops To Conquer
• What The Butler Saw
• Timon of Athens
• The Last of the Haussmanns
• Much Ado About Nothing

Three of the nominees were from the National Theatre ('She Stoops', 'Timon' and 'Haussmanns') and, of these, I'd pick 'Haussmanns' as the best production, both cheeky and funny with great characters. That came close to winning but the Baggie goes to the wonderful 'Much Ado About Nothing' starring Meera Syal in the innovative Indian version of the play that made me laugh out loud (and I never laugh at Shakespeare, especially the comedies). Meera showed her true acting skills once again, a great actor as well as comedian and writer, wringing every little bit of humour and emotion from the piece. This was the fourth time I'd seen Meera on stage and she keeps getting better. Well done!

Best Theatre - Musical

I didn't see many musicals this year and some of those wouldn't be nominated for a Baggie (such as the time vortex that was 'Starlight Express'). The nominees are:

• Matilda The Musical
• Torch Song Trilogy
• Come Dancing - The Concert
• The Harder They Come - The Concert
• Taboo

'Matilda' was a joy and it was lovely to relive happy memories with the concert versions of 'Come Dancing' and 'The Harder They Come'. It was also good to see 'Torch Song Trilogy' but the award goes to another revival, 'Taboo'!

I saw 'Taboo' a few times in its original run so it was good to see the current revival at the Brixton Clubhouse since it's the Broadway version with some subtle (and not so subtle) changes.  The cast were excellent and it was a delight to see Paul Baker in the role he made his own years ago, playing Philip Sallon. Sam Buttery was great as Leigh Bowery and Katie Kerr delivered a heart-wrenching 'Il Adore' as Big Sue. The production was due to close before Christmas but it's been extended, with a new cast, until March. A hugely enjoyable show with some great songs and performances. See it if you can.

Best Theatre - Entertainment

This is sometimes my favourite Baggies category for all the 'performances' that don't really fit anywhere else and this year was particularly rich in performances.  The nominees are:

• Matthew Bourne's Early Adventures
• Geo Wyeth @ Soho Theatre
• Rain of Poems
• The Unthanks - Songs From The Shipyards
• Matthew Bourne's Sleeping Beauty

Matthew Bourne features twice with his 'Early Adventures' as part of his celebration of 25 years of his New Adventure company and with his new production of 'Sleeping Beauty'. Geo Wyeth is a New York singer, composer and performance artist and had a short season at the Soho Theatre in early summer. The Rain of Poems was a terrific event - and great fun - on the Southbank with poems printed on cards being thrown out of a helicopter in an artistic/political performance about dropping poems on cities rather than bombs. The Unthanks gave a marvellous live performance playing the soundtrack to a film about the growth and death of the shipyards on the Tyne.

All of these have their own merits but the Baggie goes to the magical Matthew Bourne's Sleeping Beauty and its gothic tale of faeries and vampires. The sumptuous design, the story-telling and the twists and turns in the plot made it a joy to behold. I've already got tickets to see it again...

Best Gig

I didn't go to that many gigs in 2012 but did seem to go in multiples - three Amanda Palmer gigs, two Maximo Park gigs and two Buffy Sainte-Marie events (gig and a talk).

• Buffy Sainte-Marie @ Queen Elizabeth Hall
• Amanda Palmer and The Grand Theft Orchestra @ Koko
• Ray Davies @ The Fairfield Halls
• Maximo Park @ Shepherd's Bush
• The Human League @ The Royal Albert Hall

It's always a joy to see Buffy, particularly when she does an extended set and plays some of the songs we rarely hear. Amanda moved to a new level at Koko with her most professional gig yet and Ray Davies and Maximo Park both produced the goods as ever. But, the Baggie has to go to the Human League for their sheer professionalism, the amazing lights and staging, great sound and a set full of hit songs from the last three decades. From the second song the whole audience - including me - stood, clapped and sang along. Well done to Phil, Susan and Joanne - again!

Best Live Performance

I like to single out that special live performance, a performance that brings a song to life adding something above and beyond the recorded version. The nominees are:

• Maximo Park - Hips And Lips (@ Heaven)
• Amanda Palmer and The Grand Theft Orchestra - The Killing Type (@ Art Show)
• Buffy Sainte-Marie - Generation (@ Queen Elizabeth Hall)
• Ray Davies - Come Dancing (@ 'Come Dancing - The Concert' at Theatre Royal Stratford)
• Amanda Palmer and The Grand Theft Orchestra - The Bed Song (@ Koko)

Paul Smith's playing along to 'Hips and Lips', acting out the song for the first time at the launch at Heaven made me hear that song differently every time since then. Amanda opened her Art Show at Village Underground by scraping two knives together as the opening to 'The Killing Type', a perfect opening to a show. Buffy was magnificent singing 'Generation' a song I've never seen her play live before, with her band (aka Bruthers Of Different Muthers) adding an electric backing. Seeing Ray Davies sing 'Come Dancing' is always worth a trip out.

The Baggie goes to Amanda Palmer for her astonishing and emotional performance of 'The Bed Song' at Koko. The band left her on alone on stage as she played her piano and she told us her tale of unsatisfied love down to not talking. It's a tender song and that was a special performance. Thank you Amanda.

Best New Album

This was a very difficult category to judge - how can you compare the first PiL album in 20 years with the first ever record from Viv Albertine or the latest from Maximo Park, an album from Joey Ramone 10 years after he died or the latest crowd-sourced album from Amanda Fucking Palmer? It's impossible, right? We've had a goodly load of great new music this year - and I'll include new albums from Madonna, The Unthanks and Alphabeat in there too - but someone has to win the Baggie...

• Public Image Limited - This Is PiL
• Joey Ramone - Ya Know?
• Maximo Park - The National Health
• Amanda Palmer & The Grand Theft Orchestra - Theatre Is Evil
• Viv Albertine - The Vermillion Border

The judging panel decided to award the Baggie by a smidgeon to Viv Albertine for the excellent 'The Vermillion Border', full of innovative songs, a slight sideways look at life and a great under-produced sound.

Best New Song

Out of the thousands of new songs this year I've picked just five:

• Madonna - Give Me All Your Luvin'
• Amanda Palmer and The Grand Theft Orchestra - Do It With A Rockstar
• Amanda Palmer and The Grand Theft Orchestra - The Bed Song
• Tom Tom Club - Downtown Rockers
• Viv Albertine - I Want More

There's a tendency to either love or hate Madonna and me, I go for whether I like the songs or not, and I fell for the leading single from her latest album 'Give Me All Your Luvin', a great return to danceable pop rather than dance music. It was a treat to finally have some new songs from Tom Tom Club and I love 'Downtown Rockers' that name-checks the late 70s punk scene in New York (I also love how the girls pronounce it 'rockerzzzz'). Viv's album opens with the powerful 'I Want More' - 'no compromise, I want more!'.

The panel shortlisted two Amanda Palmer songs from 'Theatre Is Evil', 'Do It With A Rockstar' and 'The Bed Song'. The latter is a well constructed and emotional journey through a relationship that is beautiful and heart-felt and 'Do It' is a raucous and mad tale of need and threat and desperate lust. Amanda gave away 'Do It With A Rockstar' to people who'd backed her Kickstarter campaign back in May and, later, to anyone in exchange for your email address. I've listened to it countless times and then thoroughly enjoyed the video. So naturally it wins 'best song' since it ticks so many boxes. I would.

Best Exhibition

There's been a mixed bag of exhibitions this year with two great Picasso exhibitions and 'Bronze' at the Royal Academy and a rather ok-ish Pre-Raphaelite exhibition that didn't work for me (and so isn't nominated). Luckily I managed to catch the fascinating Yoko exhibition at The Serpentine and the small but perfectly formed punk exhibition at the Hayward, 'Some Day All The Adults Will Die'.

• Picasso and Modern British Art @ Tate Britain
• Yoko Ono To The Light @ Serpentine Gallery
• Picasso's 'Vollard Suite' @ The British Museum
• Bronze @ The Royal Academy
• Some Day All The Adults Will Die @ Hayward Gallery

The Baggie needs to go to either one of the Picasso exhibitions or to 'Bronze' and the panel decided it should go to 'Bronze' for the wide range of exhibits, the interesting way of collecting them together into themed rooms and for including ancient and modern works together. It lost points for the lighting but gained points for including the magnificent Piggy from Florence.

Olympics and Paralympics London 2012

2012 was an astonishing year for London and the whole country with the Olympics and Paralympics. The summer started off gloomy and wet and then the sun came out for the Olympics and stayed till the end of the Paralympics before the rain returned. It was a magical time in which London changed, people smiled and talked to strangers and I became a London Ambassador dressed in my pink and purple uniform.

I can't possibly choose a single Olympian or Paralympian to receive a Baggie so, instead, have nominated different aspects of London during the Olympics and Paralympics. These are:

• Transport for London Signage
• London 2012 Olympic Opening Ceremony Rehearsal
• The Olympic Stadium
• London Ambassadors
• The Gift of the Gods - Shot-put
• Olympic Rings on Tower Bridge
• Beverley Knight - I Am What I Am

I loved the way Transport for London plastered pink signs everywhere in the Tube network and stations pointing the way to Olympic venues rather than signposting to different Tube lines. I loved those pink signs. I was privileged to see one of the rehearsals for the Olympics opening ceremony in the Olympic Stadium  and will treasure that memory forever, just as will my experience of being a London Ambassador on the Southbank, walking up and down the south of the Thames handing out maps and guides and directing people to wherever they wanted to go.

London was dotted with art and oddness over the summer and one of my favourites was the 'Gift Of The Gods' installations around town in the strangest places. The 'gifts' were giant shot-put balls dropped from a great height that cracked the pavements and stood there as a testament to the powers of the gods ... all an installation of course, but great fun. I couldn't help but tear up the first time I saw the Olympic Rings hanging from Tower Bridge - that meant it was all finally real and was going to happen, the Olympics in London! I was both surprised and delighted by Beverley Knight appearing at the end of the Paralympics opening ceremony singing a newly arranged version of 'I Am What I Am' that worked so well and put Bev on the world stage.

The judging panel knows it's being a daft and a bit out there but it's gone for the London Transport signage if only because it was there every day, right in front of anyone travelling around London. I miss it.

And there you have it, the Baggies 2012.  I wonder what's in store for 2013....?