Showing posts with label Siouxsie. Show all posts
Showing posts with label Siouxsie. Show all posts

Friday, 23 February 2018

'Punk and the Pistols' at Regent Street Cinema

Regent Street Cinema put on a screening of an Arena documentary from 1995, 'Punk and the Pistols', and I was there. I didn't see the documentary back in 1995 so it was a bit odd to watch something that was already over 20 years old that was looking back at something that happened 20 years before the film was made - over 40 years ago in total.

Views on punk change over time, including the people who were directly involved, and they express their views differently. What we saw were views stuck in time in the early '90s as some of the main protagonists looked back to the '70s. Interviews with Vivien Westwood, Malcolm McLaren and Jordan, from Siouxsie Sioux and Captain Sensible and, of course, from Glen Matlock, Paul Cook and John Lydon (but not from Steve Jones). Interestingly, the documentary was made before the Pistols' first reunion gigs. There were some great clips of Poly Styrene and the Damned and even a brief look at the Clash and The Jam. There were other names interviewed including Richard Hell who claimed to have invented punk and said the New York Dolls invented throwing up in airports (personally, I suspect it was the beer and spirits that caused throwing up in airports). It was great fun and it was nice to look back at my youth.


The Q&A afterwards was a different matter entirely. We had Paul Tickell, the director of the documentary, and Jon Savage, punk chronicler. It was interesting to hear Paul talk about the background to some of the film, the logistical problems, delays in broadcasting until they'd secured an interview with John Lydon and his own memories of the time. Jon Savage tried to be a bit more intellectual and wide ranging and a little bit smug, saying that he thought punk was over by 1977 when it actually just broke out of London to the wider country.  

The Q&A was a car crash as these things usually are and the chair did nothing to try to manage or direct the session. It ended up with the usual thing of people making statements of their own views rather than questions and discussion, asking questions about topics that have already been covered and, because it's about punk, arguing with each other. O the fun we had.

The positive thing about the Q&A session (awful as it was) was that people still cared. That is a good thing. At one point Jon Savage commented that all the original punks were now in their 60s and a lot of the audience were as well (quite clearly in many cases). Time moves on but I wonder whether people are living in the past or whether they're living their own truths? I hope it's the latter.

Friday, 22 August 2014

More Siouxsie & The Banshees

At last, the last four Siouxsie & The Banshees albums will be re-released in remastered format on CD, including the unobtainable 'Superstition'.  'Through The Looking Glass', 'Peepshow', 'Superstition' and 'The Rapture' will be released on 13 October and, according to posts from Steve Severin, there'll be more to follow! I hope so!

I had these records on musi-cassette back in the day so it'll be nice to have proper records again.


Sunday, 29 June 2014

My Big List of Gigs

I blogged about lists a couple of weeks ago and promised you a big list of the bands wot I have seen. It's not complete and I keep thinking of others, but here it is (in no particular order):

The Sensational Alex Harvey Band, SLADE, 10cc, Steve Harley & Cockney Rebel, The Who, The Clash, Lene Lovich, Rachel Sweet, Wreckless Eric, Jona Lewie, The Ramones, Gary Glitter, Lindisfarne, Marianne Faithfull, The Sex Pistols, X-Ray Spex/Poly Styrene, Siouxsie, Brenda Holloway, Chris Clark, Mabel John, Sandie Shaw, Lynsey de Paul, T.Rexstacy, Glen Matlock, The Human League, ABC, Heaven 17, Alison Moyet, Boy George, The B-52's, Buffy Sainte-Marie, Maximo Park, Art Brut, Theoretical Girl, Mystery Jets, Pete & The Pirates, Viv Albertine, Lulu, Shelby Lynne, Suzanne Vega, Petula Clark, Madonna,


Bananrama, Scissor Sisters, New York Dolls, The Dresden Dolls, Amanda Palmer, Amanda Palmer & The Grand Theft Orchestra, Evelyn Evelyn, Jason Webley, Christian Silva, Sandi Thom, The Simple Pleasure, Sinead O'Connor, Yoko Ono, Yoko Ono Plastic Ono Band, Patti Smith, Eliza Carthy, The Imagined Village, Ronnie Spector, Carole King, Donovan, Roger Cook, Jessie Malin, Richard Thompson, Ray Davies, Uncle Monk, Public Image Ltd, Sugababes,


Prince, Dr & The Medics, Buzzcocks, Pet Shop Boys, Tom Tom Club, Victor Romero Evans and Chris Tummings, Janet Kay, Linton Kwesi Johnson, Dennis Bovell, The Unthanks, Rachel Unthank & The Winterset, Jimmy Cliff, Jean Binta Breeze, Thea Gilmore, John Cooper Clarke, Suzi Quatro, P!nk, Our Lady J, Justin Vivian Bond, Gavin Creel, Angie Stone, Linda Lewis, Belnda Carlisle, Novice Theory/Geo Wyeth, Ojos de Brujo, Morrissey, The Mummers, Michelle Shocked, Mary J Blige, Martha Reeves & The Vandellas,


Marc Almond, Kiki Dee, Mammas Gun, Steeleye Span, Macy Gray, Liza Minelli, Ladyhawke, Laura Marling, Kim Wilde, Kim Weston, Kid Creole & The Coconuts, Indigo Girls, Alela Diane, Grace Jones, Goldblade, Gladys Knight, Gabrielle, Anastacia, Bad Lieutenant, Barbara Cook, Beverley Knight,


Carl Barat, Carter the Unstoppable Sex Machine, Blood Red Shoes, Carroll Thompson, Cerys Matthews, Estelle, Blondie, Emily Barker, David McAlmont, McAlmont & Butler, Comanechi, Cher, Chaka Khan, Bitter Ruin, Fascinating Aida, The Tourists, Alphabeat, Anita Harris, Alan Price, The Funk Brothers, Mary Wilson, Madeleine Bell, Alvin Stardust, Shakin' Stevens, Gregory Porter, Thelma Houston...

... and probably lots more bands from the late 70s and early 80s.



Sunday, 15 June 2014

A List Is Just A List

I'm a bit of a lister, me. I write lists. I don't mean shopping lists (other than at Christmas), my lists are far more interesting. I wrote a list of plays by Christopher Marlowe so I could cross them off as I saw each play. I write set lists after gigs for no particular reason other than I make lists. I make lists at work, not so much things I need to do but a list of what I'm not doing so, if or when something goes wrong I know I need to put it right. I have a list of every hug I've ever had from Amanda Palmer. Yes, I am that geeky.

I make my lists in a pocket sized black Moleskine notebook that travels most places with me. It's full of lists and notes and the occasional drawing and every now and then I'll open it randomly and see what I find. I've just opened it randomly roughly in the middle to find my notes of visiting the London Paralympics in 2012 and seeing swashbuckling. I've just opened it about three quarters of the way through to find a random quote from the George Bellows exhibition I went to at the Royal Academy in May 2013 and, on the opposite page, is the setlist from Yoko Ono's gig that opened her Meltdown series on the Southbank in June 2013.

There's all sorts in this little notebook. It's not a diary - this blog is probably more of a diary of my daily doings and visitings and seeings - but it is full of lists in chronological order. The last entry is a note about Viv Albertine' book launch at the Lexington on 3 June 2014. The next entry will be a list.

This weekend has been a bit of a remembrance one, remembering people and things and events from years ago. I've no idea why. I started thinking of all the bands and solo artists I've seen over the years and realised I only remember a fraction of them. So I'm going to start a list. I know I saw quite a few bands in the mid-70s and again in the early 80s but I can't remember that many (probably because I didn't keep a list).

I know I saw a lot of bands in 1981 because I was involved in the students union and helped out on gig nights but can't really remember that many. I remember seeing SLADE and Dave Hill offering me a cigarette (a Benson & Hedges), I remember seeing The Tourists and Annie Lennox's voice, I remember the Ramones, I remember Gary Glitter on his motorbike, I remember Lene Lovich and Wreckless Eric and Rachel Sweet and I remember The Clash. But who don't I remember?

I shall start a list of those I remember and then go through my record and cassette collection to see if any jog my memory, and then start on CDs and digital stuff. I know I never saw Siouxsie & The Banshees (I have no idea how I missed them despite buying all the albums) but I've seen Siouxsie several times in the last decade. Some people I didn't see back in the day but have made up for it more recently, like Poly Styrene, Linton Kwesi Johnson, Viv Albertine and, of course, the Sex Pistols.

So, watch this space for an epic blog in the form of a list...


... what else can I make a list of?

Friday, 3 January 2014

The Plastic Bag Awards 2013

Once again it's time for the annual Plastic Bag Awards, the Baggies 2013.

The Baggies offer a great opportunity to look back over the year and mull over things I've done and seen as well as enjoyed and been challenged by. I've seen a few films this year so that category has been reinstated and there's a new category for 'talks' since I've been to quite a few. So let's jump right in and see who wins the first award ...

Best Theatre - Drama

This has been an odd year for drama - I saw some great plays but didn't particularly like the productions ('Othello' and 'Edward II" both spring to mind at the National Theatre) and that narrows down the nominees quite a bit. After a lot of thought, the nominees for this category are:

  • The Winslow Boy
  • The Curious Incident Of The Dog In The Night-Time
  • The Judas Kiss
  • Cocktail Sticks
  • The Audience

'The Winslow Boy' was really quite impeccable but failed to engage me with the characters as did 'The Curious Incident', both really good plays and well produced but didn't do anything for me. 'The Audience' and 'The Judas Kiss' were perfect for the respective leads and both were great productions but the award goes to another tour de force performance in 'Cocktail Sticks' by Alan Bennett.

I saw 'Cocktail Sticks' as part of the 'Untold Stories' evening brigaded with another short Bennett play, 'Hymn'. It is an autobiographical tale of Alan Bennett's relationship with his parents over the years as he finds a pack of cocktail sticks at the back of a kitchen cupboard when clearing out the family home after the death of both of his parents. I recognised so many things in the play that helped make it real for me and that's why it wins the Baggie this year.

Best Theatre - Musical

2013 was a great year for stage musicals with some great (and not so great ) revivals as well as new productions. I saw the new production of 'Merrily We Roll Along' back at the start of the year at the Menier Choccy Factory and it just didn't work for me. I know it's been doing well in the West End but it didn't draw me in. On the other hand, I loved  the Choccy Factory's 'Candide' which is well worth seeing. Other productions that just failed to make the nominations were 'Titanic' and 'The Scottsboro Boys', both musicals I'd love to see again.

The nominations for 'Best Theatre - Musical' are:
  • The Book Of Mormon
  • A Chorus Line
  • The Color Purple
  • The Amen Corner
  • The Light Princess
'The Book Of Mormon' was great fun and very rude and it was great to see Gavin Creel again. 'A Chorus Line' was a joy and I had to see it twice on its short run over the summer. 'The Light Princess' was a feminist fairytale with songs by Tori Amos and a sumptuous production at the National. Also at the National Theatre was 'The Amen Corner' which I saw a matter of days before seeing 'The Color Purple' at the Choccy Factory and it's 'Purple' that wins the Baggie.

'The Amen Corner' was a great mix of drama and song but it was the story and songs of 'The Color Purple' that swung it. Great acting and great voices melded in a great production that made me go back again to see it on its relatively short run. It should have transferred to the West End but a bonus prize is the Baggie for Best Musical.

Best Entertainment

I define 'entertainment' as a staged something that isn't a play or a musical. That makes it quite a wide ranging category. The nominations this year are:
  • Matthew Bourne's Sleeping Beauty @ The New Theatre, Wimbledon
  • John Cooper Clarke @ The Palladium
  • Patti Smith - Words & Music @ The Purcell Room as part of Meltdown
  • A Christmas Carol @ Queen Elizabeth Hall
  • Matthew Bourne's Swan Lake @ Sadler's Wells
A Matthew Bourne production is almost mandatory in this category and it's nice to have two, one from the national tour in the spring ('Sleeping Beauty') and the latest Christmas show at Sadler's Wells, 'Swan Lake'. Both have won Baggies in previous years that clearly indicates their strengths.

I saw the mastery of John Cooper Clarke for the first time this year despite buying my first record of his 35 years ago. He is a master wordsmith and it was a joy just to hear him talking let alone reciting his verse. And it was the same with Patti Smith who mixed readings from her autobiography ('Just Kids') with stripped back versions of her songs played with her son and daughter. However, the Baggie goes to 'A Christmas Carol', an ensemble reading of the story a week before Christmas. It was enchanting.


Best Talk

This is a new category of award for 2013 and is included because I seemed to attend so many 'talks'. These included staged interviews to promote books or celebrate films and  reminiscences as part of the National Theatre 50th anniversary celebrations. The nominees are:

  • Tracey Thorn @ the Royal Festival Hall
  • Ray Davies @ The Purcell Room
  • Julie Walters & Richard Eyre @ the National Theatre
  • Rita Moreno @ the British Film Institute
  • Derek Jacobi @ the National Theatre
Sometimes it nice to just turn up and listen to people talk. They're generally set up in an interview format with someone interviewing the star - the best ones ask such open questions that the star can take flight and talk about virtually anything. The worst are where the interviewer has a script and sticks to it (a hideous Patti Smith interview a few years ago springs to mind where all the questions were based on a book she rubbished in the first five minutes - take a hint!).

Thankfully, all the talks I attended this year were good and the interviewers had actually read the book or done their homework. I'm going to single out Sir Derek Jacobi who gave a talk to promote his autobiography because he was so unexpectedly entertaining and human. I loved his stories about his parents and about him growing up as an actor.

Best Film

I've seen a few films this year for the first time in ages, old films and new films, documentaries and unexpected tales. The nominations are:
  • I'm So Excited
  • Marvin Hamlisch: What He Did For Love
  • A Yank At Oxford
  • Saving Mr Banks
  • The Thirteenth Tale
I saw a not quite finished version of a documentary about Marvin Hamlisch as part of the London Film Festival that reminded me who he was and a delightfully twee 'Yank At Oxford' as part of a festival celebrating Vivien Leigh's centenary. I saw the impossibly camp and colourful 'I'm So Excited' by Almodovar and a preview at the BFI of the new Vanessa Redgrave TV film that was shown over Christmas, 'The Thirteenth Tale'. However, the Baggie goes to 'Saving Mr Banks' for its practically perfect magic.

Best Gig

I went to quite a few gigs last year, particularly over the summer with Yoko Ono's great Meltdown Festival on the Southbank. I saw the Pet Shop Boys bigging it large at the O2 with their new album and I saw Boy George and Marianne Faithfull (separately) at the Queen Elizabeth Hall as part of Yoko's Meltdown. I was privileged to see Siouxsie twice at the Royal Festival Hall, supported both times by Viv Albertine.  The nominees for the Best Gig Baggie are:
  • Siouxsie @ the Royal Festival Hall
  • Yoko Ono Plastic Ono Band @ the Royal Festival Hall
  • Amanda Palmer & The Grand Theft Orchestra @ The Roundhouse
  • Viv Albertine @ The Purcell Room
  • Kim Wilde's Christmas Party @ Shepherd's Bush Empire
All the nominees are women of power who've been around for a while. Siouxsie majestic in white PVC and Yoko screaming into her mic, both at the Royal Festival Hall. Amanda Palmer the rock star at The Roundhouse with the kind of light show and professionalism that says she's moved to another level. Viv Albertine headlining her own show at The Purcell Room with a tight band and so different to her 12Bar Club show back in January 2013.

But the Baggie goes to Kim Wilde for her first full show in London in a  couple of decades and killing it - and us! Tight band, Kim striding along the front of the stage taking us higher then singing Christmas songs - it was her Christmas Party after all! Well done Kim!



Best Live Performance

The best performance award is for a one-off song that just hit it and sends you away with a marvellous memory of the evening. This years nominations are:
  • 'Dear Daily Mail' - Amanda Palmer
  • 'Spellbound' - Siouxsie
  • 'Warrior In Woolworths' - Celeste Bell
  • 'Still England' - Viv Albertine
  • 'Kids In America' - Kim Wilde
Amanda's 'Dear Daily Mail' was an internet sensation since, while singing a letter to the Daily Mail about her escaped tit at Glastonbury, she strips off her kimono and sings the song naked. Siouxsie delivered a magical 'Spellbound' and Celeste Bell (or Styrene to me) gave us a perfect acapella 'Warrior In Woolworths' at PolyFest. And who could fail to be excited by seeing Kim Wilde singing 'Kids In America' live 30 odd years after it was her first hit?

The Baggie goes to Viv Albertine for what I think of as the disco version of 'Still England' she gave us at the Purcell Room. Halfway through the song it changed into a disco beat and a glitter ball exploded to surround us all with light as she read out the names of people that mean England to her. It was magnificent and shows just how much she's grown as a musician and performer in the last year, from the D.I.Y. 12Bar Club show to her encased in lube and a PVC top. With a glitter ball. Well done Viv, a performance to stick in the memory!



Best New Album

There weren't that many new albums this year that made me go wow so it was relatively easy to list the nominees:
  • David Bowie - 'The Next Day'
  • Linda Thompson - 'Won't Be Long Now'
  • Yoko Ono Plastic Ono Band - 'Take Me To The Land Of Hell'
  • Boy George - 'This Is What I Do'
  • Kim Wilde - 'Wilde Winter Songbook'
The biggest wow factor goes, of course, to Mr Bowie for releasing a new single out of the blue and then followed it up with an excellent album of new material. I still listen to it avidly. Linda Thompson and Yoko Ono take us back to another time and it's great that both are still producing excellent and challenging music. Then we have two '80s stars in the shape of Boy George and Kim Wilde and, while the Boy's new album is excellent, it's out-shone by Ms Wilde's Christmas record. 'Wilde Winter Songbook' is full of excellent songs for singing along to or listening to on a cold winters' day. Well done Kim!



Best Exhibition

This has been a great year for exhibitions from portraits of Native Americans at the National Portrait Gallery to one of the inventors of pop art, Lichtenstein, at the Tate Modern. The nominations are:
  • Light Show @ the Hayward Gallery
  • Man Ray @ the National Portrait Gallery
  • David Bowie Is @ The Victoria & Albert Museum
  • George Bellows: Modern American Life @ the Royal Academy
  • A Crisis Of Brilliance @ Dulwich Picture Gallery
All were excellent in different ways. I'd be really tempted to award the Baggie to George Bellows or A Crisis Of Brilliance if it wasn't for Mr Bowie. If you weren't in your early teens (or younger) in 1972 when Ziggy pointed straight at you through the telly box while singing 'Starman' then you won't understand the sheer thrill of seeing that costume in a glass case with the model pointing straight out at you. Again. Giant video walls, stage costumes and the keys to his Berlin flat, the exhibition had it all and was a joy to wander through. Well done V&A and thank you to Mr Bowie for blessing it.

And there you have the Baggies for 2013. I wonder what 2014 will bring?

Tuesday, 3 December 2013

Advent Calendar #3 - 'She Hates Wrapping'

On day 3 of my advent calendar we have She Makes War performing 'She Hates Wrapping' - her version of The Waitresses great Christmas song, 'Christmas Wrapping'.

She Makes War is really Laura Kidd and I first came across her when she played bass in Viv Albertine's band at the Royal Festival Hall when Viv supported Siouxsie at Yoko Ono's Meltdown. She impressed greatly!

Monday, 24 June 2013

Yoko Ono's Meltdown 2013

The annual Meltdown festival takes place on the Southbank in London every summer, between June and August, and each year is curated by one of the great and good. Previous Meltdown's have been curated by David Bowie, Morrissey, Anthony Hegarty, Ray Davies, Patti Smith, Richard Thompson and a range of other artists over the years. 2013 was the turn of Yoko Ono.

Yoko was a guest at Patti Smith's and Ornette Coleman's Meltdown festivals so it was about time she had her own festival and what a festival! She, of course, had to include political activism and brought over two members of Pussy Riot from Russia and Peter Tatchell to do a talk, she gave us the Silent Disco (DJs played music into wireless headphones for the dancers to groove along to while we looked on puzzled and guessing what songs were being played), Peaches re-created Yoko's 'Cut Piece', the John Lennon Educational Bus was there and a host of other events and performances as well as the big shows. The other morning Yoko tweeted us to join her on the roof of the Queen Elizabeth Hall at sunrise to enjoy the birds singing.

This year I attended more shows than in previous years. I saw the Yoko Ono Plastic Ono Band open the festival (and I treasure my Onochord), saw Siouxsie and Viv Albertine twice, saw the powerful 'Battleship Potemkin' with a soundtrack by Pet Shop Boys, Patti Smith give us an evening of words and music, and Marianne Faithfull and Boy George both did gorgeous singing and talking. Ten days and nights of art in all it's various forms, all down to Yoko.

It culminated with a show I didn't see, a live recreation of John and Yoko's 'Double Fantasy' LP with music provided by Sean Ono Lennon and the Plastic Ono Band and guest vocals from Peaches, Patrick Woolf, Lene Lovitch, Patti Smith, Boy George and Siouxsie amongst others. The encore was Yoko and Siouxsie singing 'Walking on Thin Ice'.

All I can say is wow, what a festival! It wore me out so I hope Yoko is going to have a break when she finally gets home. She was tweeting links to videos of the shows this morning so she's still being active. She also tweeted Boy George this morning to say he's looking much younger than she remembered and asked if he was in love. I really love it that Yoko can ask questions like that. She's a treasure.

Thank you, Yoko, for a great Meltdown that brought so many of my favourites to the Southbank to play. I wish I'd met you to say 'thank you' personally. I tied a wish to one of your wish trees at the Serpentine Gallery last year and it came true, for which thank you. You've raised the bar for Meltdown - that's going to be a challenge for whoever does it next year!

Thank you, Yoko!

Saturday, 22 June 2013

Siouxsie & Viv Part II - The Return - Meltdown 2013

On Monday I returned to the Royal Festival Hall to see the second gig from Siouxsie who, once again, was supported by Viv Albertine.

Viv played the same set as when she played on Saturday, including the two new songs only available on her double vinyl version of the 'The Vermillion Border'. She played:

Don't Believe
If Love
Becalmed
The False Heart
In Vitro
Still England (short version)
Life's Too Short To Be Shy
Couples Are Creepy
I Want More
Confessions Of A MILF

Viv had the same band as on Saturday with the addition of a violinist whose name I didn't catch. Laura (aka She Makes War) was still bouncing around on bass. They make a great sound and it's lovely to hear Viv live with a five-piece band around her. I loved her introducing the opening love songs with a reference to the New York Dolls, 'when I say I'm in love you better believe I'm in love L.U.V.'.

After the gig ended and everyone was leaving I saw Viv in the bar and headed straight over to say 'hello' - how could I not? I mentioned that I'd seen her at the 12 Bar gig in January and that I'd bought the vinyl LP on Saturday. She was a bit surprised at that since she didn't know it was out and asked me if it was on red vinyl, to which I replied yes. I prefer to think of it as vermillion coloured vinyl. I then left her to enjoy her night out with friends but it was great to meet her. She's a lovely person.


After Viv it was time for the majesty that is Siouxsie. Siouxsie also played the same set as on Saturday - the whole of 'Kaleidoscope' and a hits section - but with the addition of a second encore with 'Spellbound'. Siouxsie played:

Happy House
Tenant
Trophy
Hybrid
Clockface
Lunar Camel
Christine
Desert Kisses
Red Light
Paradise Place
Skin
Eve White/Eve Black
Israel
Arabian Knights
Dear Prudence
Cities In Dust
Loveless
Face to Face
Careless Love
Here Comes That Day
Into A Swan
Spellbound

It was great to see Siouxsie again, strutting round that stage and pulling shapes, once again dressed in white vinyl. Some pathetic people down the front kept launching balloons at her for some reason and she ignored them but during 'Dessert Kisses' she leaned down to shout 'fuck off' at them and, when someone tried to climb on stage she simply kicked them off and kept on singing. That's Siouxsie! After the song she said, 'why do people always have to piss me off during a slow dreamy ballad?' adding that it was probably one of her family who were in to see her tonight. At the start of 'Skin' she said that this was the kind of song in which to piss her off!

She again picked up her guitar to play 'Paradise Place' and again took up her bells to add percussion to 'Israel'. During 'Careless Love' she picked up one of the hats that had been thrown on stage and wore it during the song. After an intense 'Into A Swan' Siouxsie and the band left the stage and the lights stayed down. This didn't happen on Saturday so what was happening? Siouxsie then came back out to give us an exhilarating 'Spellbound', thats what! What an exhausting evening that was!

Thank you Siouxsie and thank you Viv!

Sunday, 16 June 2013

Siouxsie - Meltdown 2013

Last night saw the return of Siouxsie to the live stage after a gap of five years and I was there. Her last shows were on the 'Mantaray' tour so it was great to see her announced as part of Yoko Ono's Meltdown festival.

This was probably the most sought after ticket for Meltdown this year and the gig sold out quickly, so quickly that a second gig was scheduled for the following Monday which also sold out quickly. At one point she said, 'I've been away for too long, far too long' so here's hoping we'll see more of her in future.

Viv Albertine was the support act so we saw two punk heroes on the same stage and neither played anything from the 70s. Siouxsie focused on the 80s and a few songs from her last album, 'Mantaray'. But I'm getting ahead of myself.

When the lights went down there was a great cheer and, at the back of the stage, blinds descended with swathes of light shining behind them creating a great effect as people ran to the front of the stage. It was only after a few songs that I realised what it was meant to be - Siouxsie was playing the whole of the 'Kaleidoscope' album and the blinds reflect the album cover. I never thought she'd do something like that so it was great joy to hear all those songs, one after another in order. At one point Siouxsie said that she'd never sung some of these songs live before.

Siouxsie strode onto the stage and everyone stood up immediately, black on black hair, red on red lips and a white on white leather dress in which she took great delight in spinning  round like a dervish with the skirt rippling out. She opened with 'Happy House' and the band was excellent from the start, just three of them - drums, bass and guitar/keyboards - and they made a great, solid, muscular sound with Siouxsie's voice clear and strong on top of it. I've no idea who they were but they'd clearly put the hours in to get that sound. Half-way through the set Siouxsie dropped her skirt to reveal she was wearing a white suit rather than a dress.

At the end of 'Kaleidoscope' and the manic and intense 'Skin', Siouxsie slowed it down with 'Eve White/Eve Black' and then they all left the stage. Phew, it was good to sit down for a couple of minutes and recover from the surprise of hearing the whole album, a record I played to death in 1981 and 82. I still have a vivid memory of doing exams with 'Christine' floating through my head. The house lights stayed off and then the blinds moved again, some rising, setting the scene for the band, followed by Siouxsie, to come back on stage.

This was the hits section of the show that I suspect most people in the audience (including me) were expecting. Siouxsie's nothing if not unpredictable. She opened with 'Israel' and 'Arabian Knights' back to back before commenting that Pompeii has finally come to London and launching into 'Cities In Dust'. 'Dear Prudence' was followed by the comment that we had to have something from 'Mantaray' and we got 'Loveless'. The big surprise came when Siouxsie said 'Bat stations' and suddenly the Bat signal was projected all around the hall as they played 'Face to Face' from the Batman film. And then they were off to much clapping and cheering and a need for more.

Siouxsie kept us waiting and then a roadie came on to put a chair in the middle of the stage. Siouxsie then emerged wearing an outrageous hat and bustle and took her place on the chair to sing 'Careless Love' pulling shapes and poses. This was followed with 'Here Comes That Day' from 'Mantaray' and the final song was a powerful 'Into A Swan' with Siouxsie pulling the swan shapes and movements I remember so well from the 'Mantaray' tour. Then picking up the bunch of red roses she always gets at a show in London she slowly sauntered off with a wave and without a care in the world. Was she excited at the reception she'd just received, the rapture she'd caused? We'll never know. She's Siouxsie.

It was an exhilarating experience seeing Siouxsie on stage and I'm looking forward to seeing her again at Monday's show. Will it be the same set or will she come up with another one? Which album might she choose to play? Questions questions. I'll be much closer to the stage on Monday but here are some photos from row P in the stalls.