Showing posts with label Roundhouse. Show all posts
Showing posts with label Roundhouse. Show all posts

Thursday, 3 July 2014

Today Is Poly Styrene's Birthday

Poly Styrene would've been 57 today. Marianne Elliott-Said won her battle to move to a higher life in 2011 just a short while after her last album, the magnificent 'Generation Indigo', was released. I regret not having the chance to see Poly sing those songs live but I still listen to them. I'm listening to them at the moment. I treasure the memories of seeing Poly sing live - at last - at the X-Ray Spex reunion gig in 2008 at the Roundhouse, the evening before I went into hospital for an operation (phew! good timing!).

It's nice to see Poly still being remembered and praised. She's mentioned in Tracey Thorn's autobiography and in her review of Viv Albertine's new book, Viv gives a chapter over to Poly and she was referenced several times in The Culture Show documentary earlier this week on BBC2 about women in punk. She is still a powerful influence on anyone who will listen.

I was lucky enough to go to Poly's memorial gig last year - PolyFest - and saw Celeste (Poly's daughter) singing 'Warrior In Woolworths' but that doesn't seem to have gone anywhere. I still want a box-set of Poly's music, a detailed biography and photo-book. And who knows what else? It's public knowledge that Poly entered the studio to record 'Generation Indigo' with more songs than were released so maybe there's a demo album somewhere waiting to be released? There must be a legacy for such a special life.

Poly's day-glo legacy and memory burn bright. And could burn brighter still.

Saturday, 13 July 2013

Amanda Palmer & The Grand Theft Orchestra at The Roundhouse

Last night I communed and got sweaty with Amanda Palmer and her Grand Theft Orchestra at the Roundhouse, a venue she last played in 2006 with The Dresden Dolls. I was there in 2006 and I was there in 2013. Some things are *important*.

As ever with an Amanda gig, she invites half of north London to have a support or guest spot during the evening - she is a very sharing person, after all - but I was there for the main event and she burst onto the stage with 'Do It With A Rockstar'. And by the first chorus she vanished into the crowd at the front of the stage, wandering round and singing about being a needy rock star before climbing back onto the stage. She was off and running, giving us a series of great performances of songs from 'Theatre Is Evil'.

The band made a marvellous noise on stage and Amanda sang up front or to the side with her keyboard and, later, alone with her ukelele. The huge light show made a great backdrop - I couldn't help but think of previous, smaller shows over the years at places like Bush Hall and the ICA with minimal lighting and here was Amanda, the Rock Star, being flooded in all the colours of the rainbow. We were at the back of the hall so had a good view of the lights, less good view of the stage due to tall people but it was lovely to see Amanda commanding and confident and having fun.

She gave us a good range of songs, old and new, including 'The Killing Type', 'Missed Me', 'Girl Anachronism', 'Astronaut', 'Want It Back', 'Delilah' (with Georgia from Bitter Ruin) and 'Bottomfeeder' during which she sang while crowd-surfing almost as far as where we were standing at the back before being passed to the other side of the hall and back to the stage. She told us about meeting Liam Gallagher at Glastonbury before launching into the bouncy 'Oasis'. The cover song for the evening was 'Common People', a great, powerful version with everyone singing along.


About two thirds of the way through the set the band left the stage and it was just Amanda and us again for some ukelele and piano magic. Amanda played a new uke song, 'Bigger On The Inside', a hauntingly beautiful and sad song sharing her feelings over the last four months or so of being misunderstood and attacked in the media. It was very raw and painful. That's something I love about Amanda, she shares herself with us with an almost brutal honesty.

We also had a rousing version of 'Map Of Tasmania' with the whole place joining in the cries of 'Fuck it!' in the chorus. Amanda moved back to her keyboard for 'The Bed Song' that always gets my eyes moist.

The encore saw Amanda come back on stage alone in her kimono to tell us about how the Daily Mail had published an article about her show at Glastonbury that didn't mention her songs but was just about how one of her tits had come free from her bra (I blogged about it at the time, see here). She played, in waltz time, her response to it, 'Dear Daily Mail' in which she points out that if they'd only used a search engine they'd have seen that her tits were used to being in the limelight. Half way through she dropped the kimono and continued the song naked while commenting in a very funny way on the Mail's misogyny about what was, after all, just a woman's body. What a great way of making a very good point! The whole audience cheered as she played and there's a video of the moment below - listen and watch! It's great fun!

And then the band came back with all the various guests of the night to give us a stomping version of 'Leeds United' - whenever Amanda plays this I can't help but regret missing being in the video because I slept in that Sunday morning (drat!). And with bows and waves, after over two hours of playing the most excellent music, they left the stage leaving a hall full of happy, sweaty people to slowly exit and go out into the warm London night.

I was very happy with a great gig and more memories to sift through and add to my existing collection - another Amanda gig, Amanda Fucking Palmer the Rock Star.

Come back soon!

Thursday, 11 July 2013

Amanda Palmer at The Roundhouse 2006

I took this photo of Amanda Palmer and Brian Viglione, aka The Dresden Dolls, at the Roundhouse on 4 November 2006. They were playing 'Mein Herr' from 'Cabaret' at the time and you can see the performance in the DVD of the show, 'Live at The Roundhouse'. I have the show poster framed in my hall with the legend, 'Fuck the Rock'n'Roll Circus, this is the Punk Cabaret' - the Rolling Stones' 'Rock and Roll Circus' was filmed at The Roundhouse in the '60s.

 
I mention this morsel of information for two reasons:

1. This is one of my favourite photos of Amanda that I took myself; and
2. Amanda returns to The Roundhouse tomorrow night for her first gig there since 2006 and I shall be there (obv). She won't be with Brian, but she'll be surrounded by the Grand Theft Orchestra and they make a fine noise.

I'd better charge up the battery for my camera...

Thursday, 23 May 2013

Amanda Palmer at the Roundhouse

If you didn't already know, Amanda Palmer is returning to the Roundhouse on 12 July.

She last played there in 2006 and recorded the live Dresden Dolls DVD there. The Dolls played two nights to record the DVD and I'm pleased to say that I was there on both nights (I also blogged about both nights so use the search function to track them down). It was a fantastic experience and I have no doubt that seeing Amanda and the Grand Theft Orchestra will be an experience worth seeing. I saw them play three times last year and was well wowed!

I (naturally) bought tickets as soon as they went on sale. Take my advice and get tickets while you can - you won't be disappointed!

Wednesday, 3 April 2013

AFP & GTO - The Make Up Tour

Amanda Palmer & the Grand Theft Orchestra has announced some long-awaited UK dates on the Make Up Tour which, as Amanda says, is "as in re-scheduled, not face-painty-makeup, but there will be that and glitter too." Tickets go on pre-sale on 4 April so snap them up while you can:

Fri 11 Jul | The Ritz | Manchester
Sat 12 Jul | The Roundhouse | London
Sun 13 Jul | The Concorde | Brighton
Tue 15 Jul | The Academy | Bristol
Wed 16 Jul | The Institute | Birmingham
Thu 17 Jul | The Picture House | Edinburgh
Fri 18 Jul | The Academy | Dublin, Ireland


Amanda and the band are also playing Glastonbury and (gulp) the Newport Folk Festival in America and has promised to plug in her electric ukelele.

You need to see the force of nature that is Amanda Fucking Palmer!

Friday, 19 October 2012

AFP is Bump-Into-able

The delightful Amanda Palmer is in London again and that means she is bump-into-able so I must polish my 'Punk Cabaret Is Freedom' badge. That badge earned me a hug and chat a few years ago when I bumped into Amanda (and Neil) unexpectedly in the foyer of the Vaudeville Theatre on the Strand after an Alan Cummings show. Who knows where you might bump into her as she's out and about.

Amanda was on Women's Hour on Radio 4 on Thursday morning and on Steve Lamacq's Roundtable in the evening and I'm quite proud of how she didn't say 'fuck' once! She did say 'shit' on 'Women's Hour' but that's because it's in the lyrics of the song she sung, 'The Killing Type'. I loved how Jenny Murray said after Amanda had played it, almost in awe, that it was the most 'physically energetic' performance she'd ever seen in the studio. Yes, that's the Amanda we love! Listen to both on the BBC iPlayer while you can.

She's been to Paris today but will be back in London for Tom Robinson's show on Radio 6 on Saturday night. Tom was a guest at Amanda's show at Heaven last year when he sang an updated version of 'Glad To Be Gay' so it's nice that she's returning the favour.

Next Tuesday she'll be playing at Koko in Camden again and I'll be there. I'll also be there at the Roundhouse in March next year to see her triumphant return. The Dresden Dolls live DVD was recorded at The Roundhouse in 2006 and I was there for both gigs. It'll be great to see Amanda back on that stage. I hope it's filmed!

Sunday, 26 February 2012

The Complete Poly Styrene?

Every now and then I see incorrect statements about Poly Styrene's career and I yearn to put them right. Statements that X-Ray Spex only made one album and that Poly only did two solo albums, both incorrect. So, for my own peace of mind, I'm laying down what I think is Poly's full discography - I'm sure I'll miss something out or not know of some musical foray some place - so please feel free to add to this post if you know of something I've missed.

Silly Billy/What A Way
[Single 1976]

Poly's first single was under her own (shortened) name of Mari Elliott. 'Silly Billy' is a pop reggae song about a girl who falls pregnant by a lad called Billy Smith who vanishes to Kingston. "Billy you silly to mess with this filly" isn't one of Poly's best lyrics but I always like the inventiveness of using an unplanned pregnancy as the theme for her first foray into the music biz. 'What A Way' was the 'b' side of the single and it's laid back, almost jazzy Caribbean reggae sunshine sound reminds me of the sound of Poly's first solo album, 'Translucence'.

Little Mari Elliott then emerged later in 1976, fully formed as the magnificent Poly Styrene with her anthem, 'Oh Bondage Up Yours!'

Oh Bondage Up Yours/I Am A Cliche [Single 1977]

The first X-Ray Spex single screamed into our lives with the spoken introduction, "Some people think little girls should be seen and not heard, But I think OH BONDAGE UP YOURS! 1-2-3-4!" before the drums and guitar started and then the unique sax joined the fray. It still sounds young and frantic, challenging and full of energy. In one of her last interviews Poly commented that this is the song she'll probably be remembered for - her first in some ways - and that's true. But what a song!

The Day The World Turned Day-Glo/I Am A Poseur [Single 1978]

A threat and a promise, this was Poly in future-proofing mode, singing in 1978 about things we still haven't solved 35 years later. Consumerism, waste, the environment, greed - it's all in there in a powerful set of lyrics and thundering sound, dragging you along and into the song whether you want it or not. I loved seeing the Spex on 'Top Of The Pops' with this blasting out from the screen, Poly dressed to the nines.

It had that iconic day-glo world on the cover of the single. My copy of the single is on bright orange vinyl. What colour is yours?



Identity/Let's Submerge
[Single 1978]

A great song about confused teenagers of any age, people modelling themselves on others and not being themselves. It's just as valid today with the celeb culture taking over the news and magazines. "When you look in the mirror do you see yourself? Do you see yourself on the TV screen?'.

Germ-Free Adolescents/Age [Single 1978]

A slower song for the Spex this time but still with a burning message about leaving humanity behind and becoming artificial through excessive use of cleanliness and beauty products. Be who you are. "Her phobia is infection, she needs one to survive."

Germ-Free Adolescents
[Album 1978]

The three Spex singles all appear on the classic album, 'Germ-Free Adolescents'. This is the crowning glory of X-Ray Spex and certainly one of the top 50 best albums of all time in my view. It's been released various times, usually with an expanded track listing to include 'Oh Bondage' and 'I Am A Cliche' but the original track listing was:

Side1: 'Art-I-Ficial', 'Obsessed With You', 'Warrior In Woolworths', 'Let's Submerge', 'I Can't Do Anything' and 'Identity'.

Side 2: 'Genetic Engineering', 'I Live Off You', 'I Am A Poseur', 'Germ-Free Adolescents'', 'Plastic Bag' and 'The Day The World Turned Day-Glo'.

I know that's the right track listing because I've copied it from my original copy of the album. The edges of the cover may be a bit worn but it's from love, not neglect. Have I mentioned that this blog is named after Poly's song on side 2 of the record?

Highly Inflammable/Warrior In Woolworths [Single 1979]

The final single from the Spex, a mid-tempo song with the sax clearly in the lead with a staccato riff and with some early keyboard synth sounds in the background. This is a far cry from the savage sax and guitar of the early singles and makes me wonder where Poly and the Spex would've gone next if they'd stayed together.

Talk In Toytown/Sub Tropical [Single 1980]

The lead single from Poly's first solo album, 'Translucence'. It features early synth sounds with a sort of gentle reggae rhythm. Gossip isn't cool, kids.

Translucence [Album 1980]

This offers a very different sound for Poly, with gentle rhythms, calypso and reggae, jazzy in places. This is an album for lounging in the garden on a sunny Sunday afternoon rather than bouncing round the room in your day-glo socks. All new songs except for a re-recorded version of 'Age'.

The track listing is: 'Dreaming'. 'Talk In Toytown', Skydive', 'The Day That Time Forgot', 'Shades, 'Essence', 'Hip City Hip', 'Bicycle Song', 'Sub Tropical', 'Translucence'. 'Age' and 'Goodbye'.

Gods & Godesses [EP 1986] & Trick Of The Witch/Paramatma [Single 1986]

A four-track 12" ep, with the first track also being released as a single. The songs are: 'Trick Of The Witch', 'Paramatma', 'Sacred Temple' and 'Big Boy Big Toy'. I love 'Trick Of The Witch' with it's hard chugging guitar, synths and killer beats - why wasn't it a hit? "It's just a trick of the witch, she flicks the on-off switch...".

Love (by The Dream Academy) [Single 1990]

This songs is by The Dream Academy, a cover of the John Lennon song and sounds very much of its time, but Poly is there right up front in the mix chanting away. She also featured in the video.

Poly is also credited sometimes for arranging the chanting on Boy George's 'Bow Down Mister' but I don't know if that's true. Is it?

Live At The Roxy [Album 1991]

A short album of X-Ray Spex playing live at The Roxy in London in 1978, with 'Oh Bondage' featuring twice in best punk tradition of just keeping on playing your songs again and again until you fall off the stage . It's a live album and not particularly well recorded but it's a solid dose of real punk. This album is more for completists since the tracks have appeared elsewhere, most recently on the 'Let's Submerge' compilation album.

The track listing is: 'Oh Bondage Up Yours!', 'Identity', 'Let's Submerge', 'Plastic Bag', 'I Live Off You', 'I Am A Cliche', 'I Cant Do Anything', 'Oh Bondage Up Yours'.

Conscious Consumer
[Album 1995]

This was an X-Ray Spex reunion record of sorts, with both Lora Logic and Paul Dean joining Poly and new musicians to make what I think is a great pop record. It doesn't have the raucous vocals and wild music of the first album but, after an 18 year break, why would it? The world had moved on by then and so had Poly and the band. It includes some great songs, some of which Poly played at the Spex reunion gig at the Roundhouse in 2008.

The songs are all on familiar themes for Poly - consumerism (of course), identity, her spiritualism, peace, vegetarianism, it's all there. My favourite song from the album is the final track, 'Party', that tells the tale of Poly going to a party and meeting all sorts of people. I love the chorus that has Poly in desperately honest mood: "Did you enjoy the party you went to the other night?/No, not really not really, no not really at all/I was bored stiff all night!" She then goes on to tell us about the boy who wanted to 'make love' to her, Prima who wanted to have a sex change and a guy wearing a tee shirt with the slogan 'destroy' (Mr Lydon or Mr Vicious anyone?). It's a classic three minute bouncy pop song and you must love it.

The track listing is: 'Cigarettes', 'Junk Food Junkie', 'Crystal Clear', 'India', 'Dog In Sweden', Hi Chaperone', 'Good Time Girl', 'Melancholy', 'Sophia', 'Peace Meal', 'Prayer For Peace', 'Party'.

Flower Aeroplane [Album 2004]

Poly describes this album as 'Mantra with muscle' on the back of the CD case. Half the songs are new and in dance-beats mode, the other half being re-recorded from 'Translucence'. As I wrote when I first got hold of the album through the X-Ray Spex website,

It's described as, 'An eclectic mix of soothing transcendent sounds with a metal edge' on the Spex site and as 'Mantra with muscle' on the back of the CD. The overall sound is calming and inspiring as Poly takes the listener on a trip on her flower aeroplane while singing a love song to Govinda. The album opens with the gentle dance beats of 'Atomic Rainbow' before moving on to the first of several songs re-recorded from her 'Translucence' album from 1980, repeating the jazzy-calypso feel that engulfs you in tropical sunshine. It works very well, the mixing of styles, a melange of journeys with Poly occasionally reciting Sanskrit prayers. And, in context, it works excellently. I was entranced on my first listen.


The track listing is: 'Atomic Rainbow', 'Essence', 'Beautiful', 'Spring', 'Shades', 'Sub-Tropical', 'Nice', 'B-Conscious', 'Airplane', 'Dreaming', 'Pink', Bi-Cycle', Earth Mantra'.

Let's Submerge - The Anthology
[Album 2006]

There have been various collections of X-Ray Spex but this is my collection of choice since it has (as far as I know) everything from the '70s on it. It's a two disc set that includes all the singles and 'Germ-Free Adolescents', a few backing tracks, John Peel sessions, 'Live At The Roxy' and a bundle of demo tracks for the singles and album. It also includes Poly's solo version of 'Age' and the two songs released in 1976 as Mari Elliott.

Eye Witness (by The Brian James Gang ft Poly Styrene) [Album Track 2007]

Poly duetted with Brian James on this song on his self-titled album. It's very different for both of them, a slow acoustic duet.

City Of Christmas Ghosts (by Goldblade ft Poly Styrene) [Single 2008]

This song came out of the blue, a few months after Poly's triumphant X-Ray Spex gig at the Roundhouse in September 2008. Goldblade were the support band that night so they clearly hit it off. It's terrifically simple and bouncy, just what you need from a punk Christmas single. It includes the phrase that made me tear up when I heard it last Christmas, "Raise a toast to the ghosts of the friends we lost last year". That was the first time I'd heard it since Poly left us and I did raise a glass.

Live At The Roundhouse London 2008 [Album 2009 + DVD]

This is the CD and DVD package of the live gig at The Roundhouse in 2008. It's a lovely package with a good booklet inside full of photos and lyrics. It's particularly special to me since I was there that night and saw and heard Poly for the first and only time. It was a great privilege to see her on that stage a the Roundhouse, somewhere she last played in 1978. It was very lucky for me since I was going into hospital the following day for an operation so I went with great memories.

The songs included all the hits and bright lights from 'Germ-Free Adolescents', a few from 'Conscious Consumer' and a new song, 'Bloody War'. 'Bloody War' includes the refrain, 'Code pink, code pink, code pink yeah' and must be a relative of the very different 'Code Pink Dub' on 'Generation Indigo'.



Black Christmas
[Single 2010]

Another single out of the blue that announced that Poly was back and there was an album to follow. It was given away free when you signed up to her mailing list and I did - I would've anyway! It's in punky reggae 70s style and it was great seeing Poly in the video with her daughter Celeste (who looks just like her mum). Needless to say, I play it endlessly each Christmas.

Virtual Boyfriend [Single 2011]

The first single from the album, 'Generation Indigo', downloaded as soon as it was available. Naturally. It was accompanied by remixes from Creep and from Leigh Dickson

Generation Indigo
[Album 2011]

The long awaited album from Poly, 'Generation Indigo' was released on 25 March, just four weeks before Poly left us. It received universal critical acclaim and is full of perfect three-minute pop songs. As I said at the time:

This isn't an old punx last throw of the dice, this is a vibrant album full of hope and positive messages, written by someone who's experienced life and still believes in love and a higher spirituality.

One of my favourites (well, they're all favourites) is 'Electric Blue Monsoon' which I hear as a love-song to Krishna, although you might hear it as something else. I love 'No Rockefeller', an upbeat reggae skank reminding us that the majority of the world lives in poverty. I love 'L.U.V.' that tells us that love is all that really matters. I love 'Code Pink Dub' that tells us there must be a return of love and light and we need peace. I love 'White Gold' in which Poly wishes she could fly a plane of ice cubes to the desert. I love 'Thrash City', Poly's response to the madness that is modern London. I love the whole album. And so should you.

That says it all, really.

The track listing is: 'I Luv Ur Sneakers', 'Virtual Boyfriend', 'Generation Indigo', 'Kitsch', 'White Gold', 'L.U.V.', 'Ghoulish', 'Code Pink Dub', 'Colour Blind', 'Thrash City', 'No Rockefeller', 'Electric Blue Monsoon'.

The iTunes download edition includes a bonus track, 'Virtual Boyfriend (Youth Dance Mix)'. An early version of 'Code Pink Dub' has also surfaced on Youtube. There may be more in the vaults, songs that didn't make it onto the album for whatever reason.

Ghoulish [Single 2011]

This was a posthumous single and was released with a remix by Hercules & Love Affair. It was announced with the release of a great video to the song depicting a casting for a Michael Jackson look-alike. The video was made with love and ends with the words 'We *heart* Poly'. Which we do.



No Rockefeller (Wass N Burls Remix)/Black Christmas
[Single 2011]

This final single was the result of a remix competition for 'No Rockefeller' and was released with the 'Black Christmas' single plus a remix of 'Black Christmas' by Khan. It was billed as the Somali Refugee Appeal single with all monies going to that charity.

And there you have it. As far as I know, this is the complete Poly Styrene - unless you know that I've missed something out. Have I?

Wouldn't it be great if someone pulled all this music together into a box set, remastered, re-packaged and high production values. How do you lobby for a box-set?