Showing posts with label Mick Jones. Show all posts
Showing posts with label Mick Jones. Show all posts

Sunday, 29 September 2013

Viv Albertine - 'Clothes Clothes Clothes, Music Music Music, Boys Boys Boys'

Viv Albertine is writing her autobiography called 'Clothes Clothes Clothes, Music Music Music, Boys Boys Boys' after something her mother said to her about her interests back in the '70s. I was lucky enough to see Viv play a short gig at the 12Bar Club in January at which she also gave us a short reading from a draft of the book from her laptop. She read out the section of the book about The Slits supporting The Clash on their 'White Riot' tour in 1977 and mentioned their Newcastle gig. It was made even more interesting by Mick Jones (her boyfriend at the time) being in the audience.

It's nice to see progress has been made with the book and it's now listed on Amazon with a publication date of 1 May 2014. I'm not getting my hopes up since release dates often change (usually pushed back, rarely forward), but it's another step closer to it actually happening.

After seeing Viv's great shows supporting Siouxsie at Yoko Ono's Meltdown festival in June I'm pleased to say that I'm seeing her again on the Southbank in a couple of weeks time. This time she'll be playing the Purcell Room in the Queen Elizabeth Hall on 17 October. If she does a signing after the gig I'll ask about the book. 

Tuesday, 10 September 2013

Black Market Clash Exhibition & Pop-Up Store

Yesterday I went back in time to the '70s to meet The Clash when I visited the 'Black Market Clash' exhibition and pop-up store on Berwick Street in Soho. Soho is a much tamer place these days than it was back in the '70s, even down to the very polite and smiling bouncer on the door of the exhibition (well, I assume he was a bouncer since he didn't move from the door). Clean white walls and everything nicely spaced out shouts out that this is more than just another small shop trying to be trendy, and so it is.

The Clash have remastered, re-packaged and re-released their studio albums and the exhibition is part of the launch of the records. And the nice thing is that they're involved in the whole thing - Mick Jones, Paul Simonon and Topper Headon. No nameless technician re-mastering their music, they've largely done it themselves and have donated their own stuff to the exhibition, like Paul's broken guitar underneath the Penny Jones photo of him on the cover of 'London Calling'.

You can buy the remastered records in different formats and packages, vinyl as well as CD. The top of the range edition comes in a ghetto-blaster styled box (designed by Paul) with a range of extras including a DVD, CDs of rarities, badges and other stuff. The package is just shy of £100 and looks good. Or you can buy the albums in a tour-box designed box with your very own cut out 'Clash' stencil. Or you can buy the new compilation double album 'Hits Back' that reproduces the gig The Clash played in Brixton in 1982. Or you can buy the albums individually. I bought the tour-box set.

The exhibition and pop-up store are in an empty shop on Berwick Street. It's quite small but holds some great memories. The ground floor has a few guitars and stuff, but the gems are downstairs in the basement with posters on the walls and one long wall glassed off and fronted with a pink partition with the word 'Clash' cut out so you can see the memorabilia inside.

There are records in the original sleeves, hand-written lyrics, tee shirts and jackets worn by the band, posters (including the poster for the Sex Pistols gig at the Screen on the Green), gold records, badges... ooo loads of stuff! I particularly liked a photo I've never seen and which I've seen thousands of times - the original black and white photo of the band on the cover of the first album. The original is of three young lads being a bit sulky and moody, not scary or menacing at all until the designer got it, added the ripped effects to the record sleeve and there you have it, a classic punk cover.

It's a fun exhibition and a trip down memory lane for those of us old enough to have been there back in the day. It's only open until 22 September so, if you get the chance, pop in and take a look. The shop at the front of full of stuff - including the remastered records. You can even buy a Clash mug if you want to...








And there's more...

Take a listen to the Radio 4 Front Row interview from a few weeks ago with Mick, Paul, Topper and an old interview with Joe here

Wednesday, 23 January 2013

Viv Albertine @ the 12Bar Club

As you might remember, I backed Viv Albertine's PledgeMusic campaign to fund her first solo album and it was released in November 2012. I was more than happy to support Viv and was delighted with the result. Viv offered us the opportunity to support her at a showcase to promote the record and the autobiography to be published later this year and I jumped at the chance. The showcase was last night at the 12Bar Club on Denmark Street (also sometimes called Tin Pan Alley) in London.


After a long day at work I finally left for the gig and arrived at Denmark Street just before the start time, gave my name at the door, had my hand stamped with the date (it's a long time since that's happened) and the bloke on the door said to go straight on through. So I did. 

My heart fell slightly when I walked in since the place was dingy and small, but I went to the bar to order a Guinness to celebrate seeing Viv, my first Guinness of 2013. The bar staff just talked to each other in Polish paying no attention to customers so it get's a minus mark for service. Then I walked on and found a small maze of rooms with bare walls and walls covered in ska and TwoTone posters and found the gig room which is about the same size as my living room with bare brick walls and a teeny stage. I stood at the back, roughly in the centre so I'd have a good view.

At first I thought, 'o dear' but then I travelled back in time to the late 70s/early 80s and remembered this is exactly the kind of club I used to go to way back when - small rooms, brick walls - this one just seems to have survived over the last 30 years! It was perfect for a showcase for Viv and I felt strangely comfortable. The stage was about 3 feet tall and just big enough for four people. The room probably holds about 50 people and it was full. It was gloomy with a few lights on the stage and that was it, with the band setting up their instruments (keyboard, violin and a bloke sitting on a wooden box as drums).

Shortly after 7:10pm, someone got on stage in a coat and scarf, carrying a few bags, someone with shoulder-length brown hair. Off came the scarf, coat goes on the stage at the back with her bags and up stands Viv, putting on her guitar before turning round to say hello to the crowd. She wore a white pleated skirt, orange shirt with big collars and a tight suede jacket and said she hoped we didn't mind that she was dressed as a yummy mummy. I didn't mind at all.

The three-piece band came on and, just as they were about to start the first song, Viv's mobile phone went off! She said 'It's probably just Mick...' and crouched down to rummage for her phone and switch it off.

Viv and her band played four songs: 'Don't Believe', ' Becalmed (I Should've Known)' (a song for when you've cocked up big time), 'I Want More' (which is what Viv thinks about before bedtime) and 'Confessions Of A MILF' (I love the line when the little wife sings 'I chose being an artist over being a wife so now I'm going to lead a very lovely life'). They're all favourites so I was happy. I sung along and tapped my feet and nodded my head in time to the beat (man).

There was a slight moment of annoyance during 'I Want More' when a late arrival decided to push past behind me to get to the other side of the room and the bloke politely said 'sorry'. Co-incidentally, Viv fluffed the words and stopped the song to start it again and do it properly so I got the full song and could focus on it and thoroughly enjoy it, joining in to sing, 'No compromise, I want more!”. The bloke? O yeah, that was Mick Jones. I've never met a Clash before (I know it's not quite meeting, but y'know...).

After the four songs the three-piece band left the stage and Viv picked up her MacBook to read from her forthcoming autobiography. She joked that she'd increased the size of the text (and showed us the screen to prove it) to avoid having to go to Specsavers. She then read out the chapter about the White Riot tour with the Clash in 1977 with references to Mick Jones and how they split up at the end of the tour. It's remarkably honest and Viv is terribly brave reading it out knowing that he's in the audience. She also got a lot of laughs as she told the tale of Norman, the tour bus driver, refusing to drive if the Slits were on board and having to be bribed, of locking Ari Up in the toilet so she didn't dance in the aisle of the bus, and the support bands getting together on the final night of the tour to jam a version of the Velvet's 'Sister Ray'.

Part of what Viv read aloud was to do with the gig in Newcastle. Viv recalled it as being and looking poor and grey. My memories of Newcastle in the '70s are definitely on the grey side, lacking in colour and life, so I share her views. I found this blog about the gig (that I didn't attend since I wasn't a student but I bought the record) and it shares some of Viv's recollections.

Then it was all over. Viv said goodnight and we did the clap-clap-clap thing until the background music started playing again and Viv put her laptop away. People started moving away, space cleared and that was it. I didn't take any photos since it didn't seem right.

I moved to the side of the stage thinking, 'I'm not leaving without saying hello' and, of course, Viv was chatting to someone she seemed to know, then someone else came up and someone else for a hug. I'm standing there. Then I thought, if I don't say something I'll miss my chance so I said, 'Hello Viv, loved the show' and she started chatting to me. Asked my name and, after I told her she replied with 'O yes, you're one of my backers, thank you' – I was quietly delighted to be remembered!

I said I was pleased she'd played 'I Want More' since it's one of my favourites and that I agreed with what she'd said about Newcastle on the White Riot tour. She told me to pick up my freebies (that I think of as presents) from the desk at the front and told me to get a poster, a handwritten setlist and a CD single. I said 'bye' and she said 'bye'.

On the way out I had to squeeze past Glen Matlock. I think he's stalking me … After meeting him a few times at gigs over the last year or so I've decided he seems to follow me round (the cheeky fellow, but he obviously knows that I know the best places to go).

Then I went up to the front desk to pick up my presents, carefully rolled up the (numbered) poster to carry home as a trophy and left the club with a big smile on my face and lots of memories to cherish as I headed to Tottenham Court Road station. I felt a bit like a teenager again, seeing a hero and rushing home holding my trophies carefully. I listened to Viv on my iPod on the way home (a big difference from being a teenager), thinking and reminiscing.

Viv was fab. She sang songs, she did riffing, she did chatting, she did reading, she did laughing, she did intense honesty and she did loveliness. She is a hero. She's playing at Nambucca, a club on Holloway Road on 23 February so I've bought tickets to see her. It is my job as a fan.  As I've blogged before, it's the job of my heroes to tell me about new records, books and tours and it's my job to get them, attend gigs and tell everyone I can about them. It's a sacred deal, y'know.

Friday, 2 November 2012

Viv Albertine - 'The Vermillion Border'

I am delighted to tell you that Viv Albertine's first solo album will be available on 5 November. 'The Vermillion Border' has been made available to her PledgeMusic backers (such as me) as a download for the last few days and, today, I received the hard copy along with the booklet of lyrics. It is fab! And even better, Viv sends her love to me on the back of the CD (which is replicated, Viv).

It kicks off with 'I Want More' with a riff to peel your face off as Viv sings, 'No compromise, I want more!'. It's followed by 'Confessions of a MILF' and the tales of the little wife in her home sweet home. Viv adds notes to each song in the booklet and tells us that the song was recorded in Mick Jone's mobile studio. Jack Bruce joins her on 'In Vitro' with a relentless bass line thrumming away under and over her vocals. Other guest bassists include Tina Weymouth, Glen Matlock and Dennis Bovell, all of whom I've seen play live. And, of course, Dennis produced The Slit's first album, so they've got shared history.

Viv has a lovely way with words and I love the start of 'Hookup Girl' that opens with, 'In another town You would be a whore, But in North London You are just a bore'. 'Don't Believe' contrasts the things Viv believes in and doesn't believe in, from love to trilobites (how often do you see that word in song lyrics?). 'Still England' closes the record and lists all the things that make England the place it is.

I was delighted to hear Poly Styrene name-checked in 'Still England'. Viv knew Poly and it's lovely to see her include Poly in her list of iconic Englanders, along with Virginia Woolf, Dusty Springfield, Keith and Mick, The Kinks and T.Rex. She also includes,' Sid The Vicious, John The Rotten, Alfred The Great, Dot The Cotton'.

In one sense, this is exactly the kind of record you'd expect from Viv - post-punk for the 21st century, jagged guitar, challenging, no-prisoners, looking back and forwards at the same time. In other words, a classic album. It is art in a real sense. I also like the attention to detail in the booklet in which every 'v' is coloured vermillion. Give the record a listen and download it - even better, get a proper copy with the booklet. Riffs to scrape your face off and words to make you smile. You won't be disappointed.

And I want to know when I can see and hear these songs played live... I want more!