Showing posts with label Lynsey de Paul. Show all posts
Showing posts with label Lynsey de Paul. Show all posts

Monday, 27 October 2014

Alvin Stardust

The passing of Alvin Stardust can't go unmentioned in the Plastic Bag. Alvin was one of the glamrock heroes of the early 70s that took a different path and introduced a whole generation to the idea of leather as clothing (as opposed to just shoes). He wore black leather on black leather with some black leather gloves just in case we'd missed the hint.

Alvin has, of course, been around since the 60s trying to make it and it was the 70s glam scene that helped him finally do that. I vaguely recall his first TV appearance as Alvin on some kids programme back then painted half pink and half blue singing 'My Coo Ca Choo' to vanish without trace and appear a few weeks (or months?) later as the black be-leathered glam god we know today.

He didn't have many hits but he remained in the forefront of the brain of anyone who was around at the time. For me, his main hits were 'My Coo Ca Choo' and 'Red Dress', both of which I still play. Other hits included 'You You You' and 'Jealous Mind' but they always seemed a bit too rock'n'roll derivative for me. Alvin went on to feature in 'green cross code' adverts about how to cross the road safely and in various Christian programmes on Sundays. To me, he will always be the man in black leather.

I only saw Alvin play live once and that was at the Marc Bolan 35th anniversary celebration in 2012.  I knew he was on the bill but had no idea what he'd be like and I was stunned. He was easily the act of the night (after Lynsey de Paul and Sir Noddy Holder, obv), effortlessly manipulating the crowd and making us love him all over again. His professionalism was consummate on that stage and that's how I will remember him.  At 70 years old you showed the rest of the acts up on that stage with your sheer professionalism and ability to please a crowd. Well done Alvin, that's how I'll remember you.

Friday, 3 October 2014

'Central Park Arrest' - Thunder Thighs (and Lynsey de Paul)

I've mentioned Thunder Thighs and 'Central Park Arrest' a few times in this blog. I have Lynsey de Paul's version but not the single by Thunder Thighs. It's a song by Lynsey from 1974 that isn't available on any CD or digital channel but I remember from 'Top of the Pops' back in 1974. According to Wikipedia it reached Number 30 in the UK chart.  It's one of those mythic songs that exist in my memory but nowhere else… or does it?

I thought I'd do a google on the song and imagine my surprise and delight to find that it has finally been released on a compilation album from 2010 and is on iTunes for download. A picture search also showed up loads of photos of the picture sleeve that weren't available the last time I looked. What happened four years ago to make this song and pictures surface online? I've obviously missed something…

Thunderthighs have a great history as backing singers. They were the 'coloured girls' on Lou Reed's 'Walk On The Wild Side' going 'doo de-doo' and were on Mott The Hoople's 'Roll Away The Stone'. I also suspect they were part of the inspiration for 'Rock Follies'.

So, what did I do? I downloaded 'Central Park Arrest' and their follow-up single 'Dracula's Daughter' instantly, of course. What else could I possibly do? 

Thursday, 2 October 2014

Lynsey de Paul

I was saddened to wake up to the news that Lynsey de Paul has died. Lysey will always have a special place in my 12 year old heart and I listened to the 2xCD collection of all her music between 1972-74 on the way to work and returning home this evening. Some great and truly under-rated pop songs. I've blogged before about Lynsey and will probably do so again when the mood strikes.

Whenever I hear her first hit single, 'Sugar Me', I whiz back in time to the summer of 1972 when my family was on holiday in Scarborough or Bridlington (I can't remember which) and 'Sugar Me' was played endlessly on the radio, along with Alice's 'Schools Out' and Bowie's 'Starman'. Yes, that's the company she was in. I remember not wanting to go out and play because I wanted to listen to pop music on my tiny transistor radio. I loved 'Sugar Me' then and I still do - it's elegant simplicity is a slice of perfect pop.

She was the only solo British girl pop star that wrote her own songs back then and, from that first appearance on 'Top of the Pops', she was definitely a pop star. What I didn't realise, of course, was that I'd already heard her songs, such as 'Storm In A Teacup' by The Fortunes, 'Crossword Puzzle' for Dana and the songs she wrote with Barry Blue. A year or so later she wrote 'Central Park Arrest' which was recorded by Thunder Thighs aka the backing vocalists for Lou Reed and Mott The Hoople. I loved that song with its police sirens  but I've never managed to find it anywhere (I have Lynsey's version of the song, obviously).

Lynsey followed up 'Sugar Me' with 'Getting A Drag' about Glam Rock and how men wearing make-up was causing lots of confusion ('I kissed a mister just as pretty as a sister'). Her next big hit was 'Won't Somebody Dance With Me', a slow song about being a wallflower until her prince arrived that she won her first Ivor Novello Award for (the first women to do so). I wasn't too keen on that song but I loved her first album and I still have it on vinyl. 'Surprise' really is a surprise, introducing us to Lynsey's range of songs, from the pop of 'Sugar Me' to swampy 'Mama Do' to the introspective 'Ivory Tower' to the plain odd 'Just Visiting'. That record proves there was a lot more to Ms de Paul than a 3 minute pop song and still stands the test of time.

Imagine my joy when I heard that Lynsey was going to co-host the Marc Bolan celebration at Shepherd's Bush in 2012 along with Sir Noddy Holder. Lynsey on stage? O yes! She didn't sing, sadly, but she joked with Noddy and looked splendid in a little sparkly cocktail dress. Noddy cheekily talked about chasing Lynsey round the 'Top of the Pops' studio back in the day. Bet he didn't really but Lynsey played along. Here's a photo I took of Lynsey with Sir Nod and Danielz from T.Rextacy who provided the music on the night.

Lynsey obviously did more than I'm telling you but this is my blog and my memories and, if you want a fuller picture of Lynsey, then start off with the BBC article. You'll find out lots about Lynsey with a judicious search. But this bloggie is about me and Lynsey.

I was delighted to hear of two new double CDs issued last year that collect all Lynsey's recorded works between 1972 and 1979 and I bought them straight away. My favourite is, obviously, 'Sugar And Beyond - Anthology 1972-1974' which covers the peak years of my listening to Lynsey. This is what I've been listening to today. It includes the singles, the 'B' sides (remember them?) and the first two albums, 33 songs in all. The second double CD covers 1975-79 and has another 29 songs including her Eurovision song with Mike Moran, 'Rock Bottom'.

Farewell Lynsey, you were and are well loved. I hope that's some comfort to your family. I've been listening to you for 42 years now and that will continue, at least in this small part of the internet.


Tuesday, 18 September 2012

Marc Bolan 35th Anniversary Concert 15 September 2012

On Saturday night I went to the anniversary concert celebrating the music of Marc Bolan 35 years after his death in a car accident. Like the 30th anniversary concert, the show was at Shepherd's Bush Empire and had some of the same pop stars on stage. This concert was much better organised (and more professional) than the previous one and I hope it'll be released on DVD like the 30th anniversary show was. It deserves to be!

Marc wrote some of the best pop songs of the early 70s and virtually everyone reading this blog will have heard a T.Rex song since so many have been used on telly adverts over the years. You might not recognise the name of the song but you'll recognise the riff. It was nice to see contemporaries of Marc on stage singing his songs as well as my own generation of fans who became pop stars in their own right like Boy George and Marc Almond. The concert was in aid of the PRS Members Benevolent Fund for musicians and songwriters who need some support in their ageing years - Marc would've been 65 this year so it seems even more appropriate.

Anyway, on to the show. As I noted five years ago at the 30th anniversary show, the children of the revolution have grown fat, gray and beery but we still recognise great sounds and can boogie (slightly ungainly in my case). The show opened with a svelte Lynsey de Paul (cor!) walking on stage in a sparkly silver cocktail frock and ushering on Noddy Holder (double cor!) in waistcoat and trousers (but no mirrored top hat, sadly) as our most welcome comperes for the evening. Lynsey was a delight and Noddy got slightly more racier as the evening wore on but both were lovely.

First up were T.Rextasy, the official T.Rex tribute band, with Danielz channeling Marc from the corkscrew hair, the guitar poses and warbling voice. I liked his green flares.The band were on-stage for virtually the entire show, playing songs on their own as well as supporting all the guest singers.

We had a great array of singers: Mike Lindup (from Level 42), Andy Ellison (John's Children), Linda Lewis, Marc Almond, Alvin Stardust, Boy George, Glen Matlock, Steve Harley and Sandie Shaw. They all came on once or twice (or thrice for Boy George and Marc Almond) to sing their favourite T.Rex songs. We were also treated to Tony Visconti (Marc's producer) and his son, as well as Howie Casey (Marc's saxophonist) and the Dirty Pretty Strings. And, of course, we had an ensemble encore (without George and Steve) at the end.

My favourite moments - other than Lynsey and Noddy walking onto the stage at the start - included Linda Lewis's stonking version of 'Children of the Revolution'. Power chords riffing with her incredible voice creating an astonishingly powerful sound. She has the vocal range to pull it off. She knew Marc in the early days and contributed vocals all over the place (including to Bowie's 'Aladdin Sane') before making it on her own. She played out the glam queen in a golden sequinned frock and peacock jacket, giving it some serious welly!

Alvin Stardust was someone I seriously never thought I'd see live and had assumed had retreated into cabaret but he showed he was still a rocker in his choice of songs. His first song was 'Sweet Little Rock'n'Roller', the only non-Marc song of the evening because Alvin had sung it with him on 'Supersonic' back in the day. That was electric and got everyone moving. He came back later to sing 'I Love To Boogie'. I was terribly impressed with Alvin's effortless professionalism and knowing how to work a crowd - he's been on stage since the '60s and that showed off a mile! Well done Alvin!

Marc Almond threw himself into the show the way he did five years ago, coming on three times to sing songs and having three costume changes, from red velvet to black to gold sequins. He did a variety of songs with T.Rextasy but I liked 'Whatever Happened To The Teenage Dream' best (as it was when he performed it five years ago). He put a lot of glitz and glam into his performance, almost like he was singing in front of a mirror in his teenage bedroom (which I bet he did!). He clearly is a real fan of T.Rex and he's not afraid to show it, getting into the spirit of the evening and giving good show.

Boy George didn't have the costume changes but he also came on three times to sing and my favourite was 'Telegram Sam', a great version with him ripping it up, striking poses and being a glam god for the night. He also looked like he was having great fun, trading poses with Danielz throughout. He wasn't wearing the scarab-based clothes I've seen him in the last few times, which was a nice change. He also won the award for the best shoes - gleaming golden shoes that drew the eye.

Glen Matlock opened the second half of the show with his fast version of 'Debora' and what a good version it was. I met him later coming out of the bar (as I was going in) so he had to walk past me. I said, 'Great song' and replied with 'thank you' and that's fine. I spoke to Glen last year at the end of an ensemble show at Ray Davies Meltdown festival when Glen sat in the row behind me and I couldn't leave without saying something. It's not every day you meet a Sex Pistol! Sandie Shaw was on stage that night as well so I might as well start a rumour...

Noddy and Lynsey did a great job of filling in the gaps when people weren't ready to come on stage and it was in one of these gaps that I learned the story of 'Clean Up Woman' by Betty Wright. Noddy did Brian Matthews' 'My Top 12' on Radio 1 back in 1972 and he chose to play 'Clean Up Woman' which I've loved ever since. When I saw a Betty Wright 'best of' CD a few years ago I had to buy it because this song was on it. It turns out that Marc bought the single in America and brought it back for Noddy because he knew Nod liked soul music. Marc also thought that SLADE should record it. I'm pleased they didn't but I'm happy to know the background story to the record.

Steve Harley came on for a couple of songs - I never really thought of him as glam or a contemporary of Marc's. He started off with a nice version of 'Lofty Skies' and went on to play 'Dandy In The Underworld'. He said that he sang backing vocals on the song so it was fitting for him to sing it (Marc Almond sang it at the 30th anniversary gig). He didn't quite capture Marc's pomp majesty but it was a worthy tribute.

Sandie Shaw only had one song, 'Life's A Gas', but she performed a miracle while on stage. It's not one of my favourite songs and is forever tarnished by the duet between Marc and Cilla Black back in 1972 on the Cilla Show. That performance really rubbed me up the wrong way to the extent that I still recall it and Cilla donning a feather boa to show how glam she was. But Sandie rescued it on Saturday night and I think she'll be the one that pops into my head in future when I hear that song. Thank you Sandie!

And finally, some kudos to Danielz and T.Rextasy for being on stage and playing for most of the evening. They were good sports, part tribute band, part backing band to all the guest vocalists and band in their own right. Best of the night for me was 'Jeepster', a truly electric version that ripped up the night. They also took us into the encores of 'Get It On' and 'Hot Love' with the ensembled stars (minus Boy George and Steve Harley) coming back on stage for loud and cheery versions of those songs. It was lovely to see them trading lines, singing in groups and singly and putting their arms round one another. In a way it was a big beery singalong and I think Marc would've loved it! The last voice of he evening was Noddy Holder shouting out his trademarked 'Keep on rocking'!'.

As I've said, the children of the revolution (me included) have grown fat and beery but we still know how to boogie. And we still love Marc.



Sunday, 16 September 2012

Marc Bolan Concert

In advance of doing a proper blog about the Marc Bolan 35th Anniversary Concert I thought I'd share a selection of photos I took last night. Do you recognise them all?


Wednesday, 22 August 2012

Lynsey de Paul - LIVE!

Some things just have to be shared, such as pick'n'mix sweets, a bottle of wine and news about Lynsey de Paul playing live in London in a few weeks time. Yes, you read that right, Lynsey de Paul.

I've blogged about Lynsey a few times, most recently last summer when I discovered the songs from her first album, 'Surprise' were on iTunes. Now I discover that she's playing live and I've bought a ticket to make sure I get to see her play. I must say *wow*!

Lynsey is on the bill for the Marc Bolan 35th Anniversary tribute concert at Shepherd's Bush on 15 September. It looks like a great line-up, with T.Rextasy providing the music and guest vocals from Boy George, Marc Almond, Linda Lewis, Steve Harley and a certain Glen Matlock. And, of course, Lynsey de Paul! I am, of course, terribly excited at the thought of seeing her play live and can't imagine which of Marc's songs she'll sing. Maybe 'Life's A Gas'?

I went to the 30th Anniversary concert five years ago which was saved (in my eyes at least) by the magnificent version of 'Chrome Sitar' delivered by the one and only Shakin' Stevens. Shakey saved the day as far as I'm concerned. That was five years ago. This year, I'm looking forward to seeing Lynsey.  *Wow*!