'Gypsy' at the Savoy Theatre

Last years' season at Chichester included three great musicals - 'Amadeus' (with Rupert Everett), 'Guys and Dolls' (with Sophie Thompson) and 'Gypsy' (with Imelda Staunton). The only production to transfer to London is 'Gypsy' which has just opened for a limited season at the Savoy Theatre on the Strand. Imelda still leads the cast (and has pride of place on the poster) but Herbie is now played by Peter Davison rather than Kevin Whateley. I have to report that Dr Who can do many things but either he had a terribly sore throat or he can't sing (I suspect the latter, but Herbie doesn't need to sing so that's ok).

It's the same production as in Chichester (and I blogged here) but on a smaller scale since the Savoy doesn't have the vast expanse of stage as Chichester. No less energy in the performances, of course, despite having done the matinee that afternoon. You'd never have guessed.

As you probably know, it's the tale of a stage-mother who is tirelessly driven to make her daughter June a star, the star she wanted to be herself but the moment passed her by. We see the same old, tired act again and again as the children grow up and move from town to town and vaudeville theatre to theatre. And then they have their big break with a shot at Broadway but the theatre only wants June, not the rest of the act or the mother and they turn it down. Then June runs off with one of the dancers after getting secretly married and setting up their own act. So Mama Rose turns her attention to her older daughter, Louise, to make her the star instead of June.

They end up in a burlesque theatre with strippers and that's where Gypsy Rose Lee is born when Rose insists Louise (played by Lara Pulver) does the strip when the booked stripper is arrested since it means she will bow out of the business as a star. A hesitant Louise does the strip by simply removing a glove and then goes on to become the star her mother always wanted, as the most highly pay stripper in the business. Without Rose. And that leads to Rose's eventual breakdown on stage with her name in lights and the crowd on its feet applauding the latest and greatest star in Mama Rose. But it's all fantasy and she walks off to a party with her newly reconciled daughter, walking into the lights off-stage. Phew! What a roller coaster that fully deserved the standing ovation at the end.

It's a great production of a great show and is a perfect showcase for Imelda Staunton, particularly her big songs that close both halves - 'Everything's Coming Up Roses' and 'Rose's Turn'. Imelda captures the fire and passion of ambition and blasts it out at the audience in an astonishing performance that reveals so much of her character, of the pain of being in the background and trying to push forward to reach her dreams. She won't give up on her dreams despite losing the man she loves and her daughters along the way. A portrait in tenacity.

If you can, go and see this show and see Imelda's career-defining performance. It's only on for a couple of months so book tickets now. Anita Dobson and Brian May enjoyed it too - they were sitting along the row from us and I bet Brian was itching to get out his guitar and join in with a solo.

'Gypsy' at Chichester Festival Theatre

It should always be a bit of an event to go to the theatre, even more so when it's preceded by a 1.5 hours train journey to get to the town the theatre is in. The latest production at Chichester Festival Theatre is 'Gypsy', one of the big musicals, particularly when it stars Imelda Staunton and Kevin Whately.

I've only seen 'Gypsy' once before and that was on Broadway six years ago with Patti LuPone as Mama Rose. We saw it shortly after the opening night so it was still in the excited stage of the production before it settled down. The Chichester production has been on for a few weeks now so felt nicely established.

'Gypsy' is built around the legend of Gypsy Rose Lee, the queen of burlesque. But it's not really about Gypsy at all, it's all about Rose, the driven show-biz mum who wants her daughters to become stars, first June and then Louise, and it's Louise who makes it as Gypsy. I remember not being too keen on the character of Rose when I first saw her in New York but Imelda brings a layer of humanity, of hope, to the role that makes the character more attractive (but still not terribly likeable). There's something about the three leads that makes this particular show a pleasure - they work well together. Rose, Herbie her agent and lover and elder daughter Louise, make a nice package.

Rose pushes her daughters around the vaudeville circuit of theatres in the hopes of striking it big and, as they age, she keeps the show the same, forcing them to be perpetual children. My favourite scene of the ensemble section is when we see the passing of the years happen in front of us with a strobe light on the players dancing as the children are replaced by adults. That's a great scene, and we're introduced to the young adults that grew out of those children.

Rose, of course, keeps pushing until Baby June elopes with one of the young men and after a brief moment of not knowing what to do, she instantly focuses her full attention on Louise who will now be the star. The drive and focus are quite frightening in a way and Imelda delivered a magnificent 'Everything's Coming Up Roses', throwing herself into the song and her acting credentials coming into play to make this a performance to remember. The intensity was astonishing as she stood tall and declared that she would not be beaten, even by her own daughter. This was a stunning end to the first half and had the audience clapping and hollering for more. And more was to come.

The second half introduces us to the troupe led by Louise, how she becomes Gypsy and how she loves every minute of her new life. From an accidental booking into a burlesque theatre Louise becomes Gypsy Rose Lee, the world famous stripper who keeps everyone guessing.

This all comes about when Rose overhears the theatre manager talking about a star spot for a stripper and she volunteers her daughter to take the place, arguing that they can then leave the burlesque with their heads high since they left as stars rather than as flops. This is a move too far for Herbie who leaves as he and Rose were due to be married and Louise becomes Gypsy. And Gypsy becomes a star. She has one of the best sequences from going on stage for the first time, nervous and unsure, to gradually gaining confidence and more sparkly frocks to eventually ruling the roost as a star. Lara Pulver was great as Louise, moving effortlessly from duckling to swan.

The final song is 'Rose's Turn' when Rose finally strides out on stage as herself, not living through her daughters, and belts out the song. It's easy to confuse what's going on in that song, most of which is happening in Rose's head but we're clapping away at the end as she takes her bows and then we realise she's bowing to an empty theatre, with Gypsy clapping from the wings. It's a powerful scene as mother and daughter reconcile themselves to each other - at least for the moment - and walk off stage arm in arm.

The cast were excellent, particularly Imelda Staunton who brought a hideous humanity to the driven character of Rose. She gave her all in her big songs and she gives trained singers a run for their money. Would I rather see Patti LuPone as Rose? No, give me Imelda any day! The sheer ferocity of 'Everything's Coming Up Roses' was astonishing.

Kevin Whately was lovely as Herbie, the man who can be pushed and pushed but only pushed so far. I'm very familiar with Kevin on telly but have never seen him on stage before - he ought to do more live theatre. I also liked Lara Pulver as Gypsy bringing a nice charm to the role as she grows in confidence and seems to get taller (probably the shoes!) as well as more elegant. I loved the three strippers with a gimmick!

Well done to everyone involved in this production - it's a great show! It's only on for another week but here's hoping for a West End transfer. I think London is ready for Rose again.