'Ellen Terry with Eileen Atkins' at the Sam Wanamaker Playhouse

I went to see Dame Eileen Atkins playing Ellen Terry at the Sam Wanamaker Playhouse a couple of years ago and I saw her again on Sunday as she played another season of her 'one woman show', again at the Playhouse in the Globe. Just Eileen, a desk, some papers and a glass of water on the stage, candles lighting the stage and the polished wood and gold shining. Eileen rarely still, pacing the stage, standing and being contemplative for a moment before setting off again.

Eileen plays Ellen Terry, one of the great Victorian actresses renowned for her Shakespearean roles, giving one of her lectures about Shakespeare in her later days. The lecture is about Shakespeare's women based on her experiences of playing many of the women and enhanced by her own tales of her stage performances. Eileen was terribly impressive, not least for remembering all those lines since she doesn't stop talking for about 80 minutes. It's a joy to hear her talk about Shakespeare, his creations and her (ie Ellen Terry's) interpretations of them, such as that Juliet should not be played by a young girl but by a more mature actress with greater powers capable of interpreting her great lines and emotions. Her Juliet's death-bed scene was a wonder to behold.

Eileen - or is she Ellen - talks about and performs as a number of Shakespeare's heroines and she discusses their strengths and weaknesses. We get Rosalind and Beatrice, Portia and a brave Emelia (from Othello), Juliet and closing with Ophelia (as well as others such as Mistress Page from the Merry Wives). She gives a masterclass performance and this should be filmed for mandatory study by anyone wanting to play Shakespeare. She was truly marvellous and had us in the palm of her hand throughout. The intimacy of the Playhouse (i.e. small!) helped but it was Eileen's sheer power and conviction that completely won over the audience (and me). Go and see her if you can.

'Ellen Terry with Eileen Atkins' at Shakespeare's Globe

This evening I was lucky enough to see Eileen's Atkins' last performance of her show about Ellen Terry at the new Sam Wanamaker Playhouse in Shakespeare's Globe (where else could it be?). Build with lovely light wood, an ornate stage and lit with chandeliers of candles (and a couple of spotlights) with a painted ceiling, it's a lovely new theatre and I hope Zoe Wanamaker likes it on behalf of her dad.

Ellen Terry was a Victorian actress and great interpreter of Shakespeare and she wrote lectures about Shakespeare with Sir Henry Irving. Eileen Atkins pulled these together along with stories from Ellen's life to give us one of her lectures, striding the stage and telling us how to play and interpret Shakespeare. To illustrate her points she played scenes from some of the plays, taking all parts herself. She picked some great lines to use, such as how an actress who looks the right age for Juliet clearly can't play it properly as it requires a mature actress at the peak of her powers. Obviously. Her rendition of Juliet's speech before swallowing the poison was wonderful and demonstrated that a more mature actress can, indeed, bring more to the role.

Eileen took us on a journey through some of the more interesting women in Shakespeare, recounting why they were important and were meant to be so by Shakespeare. Characters like Beatrice and Rosamund were obviously large physically while Ophelia was a little waif. I think my favourite segments were Cordelia from 'King Lear' with Lear asleep in bed so she can be bold without her shyness and Emelia from 'Othello' transforming from a minor, comic character to a storming valkyrie of vengence for her slain mistress. Yikes, there's a power in that there woman and I mean Eileen here.

It was a mighty treat to hear Eileen play Ellen and I can't help wonder how much of what was said really reflects Eileen's own views.  This was a marvellous one-woman performance in the perfect place for a lecture about Shakespeare. If Eileen does this again then I'll certainly be in the queue for tickets.