Showing posts with label Celeste Bell. Show all posts
Showing posts with label Celeste Bell. Show all posts

Monday, 20 May 2019

'Identity! A Poly Styrene Retrospective' at 198 Gallery

This afternoon I went to the new exhibition about and by Poly Styrene at the 198 Gallery (the 198 Contemporary Art and Learning Centre) at Herne Hill, up Railton Road from Brixton. Poly grew up in Brixton so the location is appropriate. The exhibition is small but contains some fascinating works by Poly herself from different stages of her life and career. I was particularly pleased to see her little red typewriter that she used to type up her lyrics and, in the typewriter, were the lyrics to 'Plastic Bag' after which this blog is named.

The exhibition has a range of works from some very early photos of X-Ray Spex and Poly's designs for covers of singles to the large works of her as Marie Antoinette that she gave away as cards with her last album, 'Generation Indigo'. I like those images and they show her being playful and cheeky but I've only ever seen them small, as postcards, so it was great to see them full sized as A1 works of collage and they look great. There's also her iconic punk frock that I never guessed would be green since all the photos I've seen are in black in white.

I loved her designs for the cover of 'Transluscence', her first solo album and would never have guessed that she was playing around with the design since I've only ever thought of the record with her in bedouin garb and scarves.

There are a few letters she wrote (including a particularly sad one that shows her state of mind as a young woman), doodles of Johnny Rotten, typed lyrics sheets, screens showing the 1979 Arena documentary and a video for 'Genetic Engineering' that I've never seen before, tour posters and loads more. All of this shows what an all-round creative person Poly was, not just a great songwriter and singer in a punk band. There was clearly so much potential in her that never got to be released or realised. The beauty is in the detail.

Something I learned about Poly is that she clearly loved collages. Punk was, amongst other things, about do-it-yourself so she designed the record sleeves and posters as well as her own clothes and there are some very colourful and expressive artworks here, some with cut-out photos stuck onto newsprint and daubed with paint or ink - it would be great if these could be made into prints. I'm sure they'd raise money to complete the new documentary about Poly to be released next year.

If you get the chance go and see this exhibition. It's only in two rooms but there's a lot packed into those rooms and a lot to love if you like Poly Styrene. I couldn't help but grin as I walked round and then backtracked to look again at some of the exhibits. It's about 20 minutes walk from Brixton tube station and five minutes from Herne Hill overground train station. Ring the bell to get in and you'll be welcomed with open arms.

Thanks to Celeste for sharing so much of her mum's work, some joyous and some sad but all fascinating!






Sunday, 16 April 2017

'Poly Styrene: I Am A Cliche' - The Documentary

A crowdfunding campaign has launched to make a documentary about the life of Poly Styrene. To be clear where my allegiance lies, this blog is named after one of Poly's songs from 1977, 'Plastic Bag'. Poly was never a cliche but the title, 'I Am A Cliche' comes from a song that was the 'B' side of her first single with X-Ray Spex, the classic 'Oh Bondage, Up Yours'. The documentary is being made with Poly's daughter, Celeste Bell, at the the helm so we can trust it to be an accurate view of Poly. I'm very much looking forward to seeing it.

My first X-Ray Spex record was on a punk compilation album, a 10" sampler vinyl record that also included Penetration and Linton Kwei Johnson ('Guillotine'). Following that I got their first single, 'Oh Bondage. Up Yours!' backed with 'I Am A Cliche'. I wish I'd seen them back in the day but I didn't. But I could enjoy their records and I did. All the singles and the amazing 'Germ Free Adolescents' album. I went so far as to hunt out the day-glo socks they wore on the record sleeve and wore them until they wore out. I still have and treasure two X-Ray Spex badges from 1978. Some things are important.

The years passed and 'Germ Free Adolescents' was released on CD and I bought it. It was then re-released as an expanded 'record+greatest hits+' and I got it. I still have my original vinyl version and, although the edges of the sleeve are worn, that's from love not misuse. The internet allowed me to buy other records from Poly Styrene, including her album 'Flower Aeroplane' direct from her house in St Leonards that she described as 'mantra with muscle'. 

Out of the blue a gig was announced at the Roundhouse in 2008 and I was there, finally seeing Poly on stage. I was due to go into hospital for an operation the next day but that wasn't going to stop me turning day-glo for the night.

And then in 2010 the news of a new album due for release in 2011 sadly followed by news that Poly had cancer. She died a few weeks after the album was released in 2011, still doing interviews to spread her messages. That was so sad, but it was also lovely to see the outpouring of grief on social media from a huge range of people - her passing was noticed.

I attended the first Polyfest gig in Putney, London, in 2013 to commemorate her passing and met Celeste Bell after she sang 'Warrior In Woolworths'. I subsequently bought the record of the performances that evening. And now a documentary and a book about Poly, and an opportunity to support it. And I have. My name will be in the credits of the documentary and that's a great honour. If you want to support it then please click here: https://www.indiegogo.com/projects/poly-styrene-i-am-a-cliche-music-feminism#/

Friday, 19 September 2014

PolyFest 2014

I'm happy to report that PolyFest 2014 will take place over two days at The Half Moon in Putney. PolyFest is named in memory of the wonderful Poly Styrene who left us in 2011 but whose memory still burns bright. I went to the first PolyFest in 2013 and had a good night out with the mixed bag of performers, some of who are returning for a second time this year. Tickets available here.

The good Doctor and the Medics gave a stonking performance last year and are well worth seeing, as is the lovely Anita Harris (wonder if she'll wear her leather waistcoat again as a nod to punk?). Sham 69 is, I assume Jimmy Pursey who should be fun and I'd love to see and hear Judy Tzuke - she was around in the late 70s but so far away from punk that I can't imagine what she'll sing.

I'd love to see The Ruts (no idea why they're called Ruts DC now), John Otway, Splongenessabounds and Neville Staple. The years will, no doubt, have taken their toll but good on them for still being on stage and I hope they sing some of Poly's songs.

I'm seeing John Cooper Clarke at the Royal Festival Hall on 4 October (tickets bought ages ago) so I'll miss Anita, Judy and the Doctor but I'm free on Sunday night so I may just pop over to Putney for a beer or two and relive my youth.

I wonder if Celeste Bell, Poly's daughter, will be there again?


And here's a great reminder of Poly…


And yes, I *am* listening to 'Generation Indigo', Poly's last album, as I write this. I wish she'd had the opportunity to sing these songs live. She said she wanted to. And what great songs they are.