
Have you been to see 'Blithe Spirit' with Angela Lansbury yet? No? What on earth are you waiting for? Scoot on over to the Gielgud Theatre as quick as your legs (and public transport) can carry you and get prepared for some big ole laughs, chortles and general jolliment. Yes, I enjoyed it - I even laughed out loud!
It's the tale of a writer and his wife (Charles Edwards and Janie Dee) who live in a nice country house with the requisite servants for the late 1930s. They're hosting a small dinner party after which the local medium (Angela Lansbury) has been invited to demonstrate her powers. Unbeknown to her, he's going to write a book about a fraudulent medium so wants some first hand observations to include in the book. She accidentally summons the ghost of his first wife (Jemima Rooper) who only he can see or hear which leads to all sorts of confusion and mayhem. Then the medium is invited back to try to undo her work... and that's where it gets complicated.

Janie Dee (who I saw a couple of months ago in a Sondheim show at the St James's Theatre) was on top form with an accent that wouldn't just cut glass, it could easily cut a diamond or two. Her timing was excellent as she milked every scene for every laugh as she swished around in her evening dress and day-time skirts. She looked right in character and would fit into a 1930s drawing room effortlessly. Charles Edwards was also good but a little restrained next to the perfect pitch of Janie. She also out-acted Jemima Rooper who was flouncy and pouty throughout - her character as the ghost of the first wife, obviously - but Jemima didn't quite stand up against the rest of the cast.
It was also nice to see the rather portly Simon Jones as the Doctor. To me, of course, he will always be Arthur Dent in his dressing gown in the TV series of 'Hitchhiker's Guide to the Galaxy'. Nice to see him again.

I'd forgotten about the ending so won't spoil it for you if you plan to go - and you should. It's a great production with a lavish set and costumes, all designed to entertain. A nice touch when the final curtain went down was to project a portrait of Noel Coward onto the curtain as we all left. Well done whoever thought of that.
An added bonus was that I was definitely in the younger half of the audience on the night. Some old-time fans of Miss Lansbury were obviously out in force to see her again, such as the white haired geezer behind me who laughed every time she raised an eyebrow. Now that's loyalty.
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