
Chris has taken photographs along the way and this exhibition celebrates a series of previously unseen photographs from the mid-70s to early-80s, many, of course, featuring Debbie. There was a glittering launch to the exhibition when it opened with people like Ray Davies and Marianne Faithfull all showing up but I've only just got round to seeing it.

There are also photos of Debbie in strange situations, like being in a posh hotel and not knowing what to do with herself, of Debbie cooking in an evening gown with a flaming pan in her hands and Debbie smoking a joint with Joan Jett.

There's also a lovely photo of Debbie on one of Blondie's UK tours in which she's reading a copy of The Sun with the headline 'Women are just slaves' and you can see how un- phased she is by that headline from her expression. Being a slave isn't even part of her conceptual universe. It's also good that she's wearing black leather, including black leather gloves to hold the toxic newspaper. That photo says so much about - or at least my perceptions of - Debbie Harry.
The soundtrack accompanying the exhibition is also interesting with lots of Blondie, of course, but also their New York contemporaries. While I was there we were also treated to the war cry of 'Oh Bondage Up Yours!' by X-Ray Spex which was a delightful surprise. There are no pics of Poly or the Spex but at least they're part of the soundtrack to the exhibition.
It's an interesting exhibition and well worth the time if you're near the Strand with an hour to spare. It's free so pop along if you can.
No comments:
Post a Comment