Saturday, 31 January 2009

Grace Jones at The Roundhouse

Wednesday night saw that force of nature, Hurrican Grace, touch down at The Roundhouse and she blew us away, literally, at the end of the show. A big wow for Grace Jones and her new album, 'Hurricane'.

A mere half an hour after start time, she appeared on stage at the top of a riser making good use of the height of The Roundhouse, with a moody verison of 'Nighclubbing', Grace posing and revelling in the adulation. Down to the stage she came and into the wings for the first of her costume/image changes which she did inbetween every song. She talked to us from the wings, sharing snippets with us about how she desperately needed a suck, how she didn't mean to hit her dresser so early in the evening, and how she's really an alien. I believed. Only a fool would dare not to believe.

Much as I like The Roundhouse, it wasn't right for Grace - the stage wasn't big enough. The massive riser took up much of the stage with the band below it and the front part of the stage taken up with two platforms for Grace to pose on and a massive wind machine. She really needed a bigger stage but gave us a fab show nonetheless.

Highlights were the fabulous 'Williams Blood', and 'This Is' from the new album, 'Demolition Man', 'La Vie En Rose' (in an extra large white top hat and black tails), 'Pull Up To The Bumper' and 'Slave To The Rhythm' during which she proved herself to be the hula-hoop queen by keeping it going throughout the song. There was an astonishing version of 'Love Is The Drug' with Grace on stage with only a green lazer shining on her bowler hat and, like Noddy Holder, she used the hat to fling spears of light around the auditorium. And she finished with a draining version of 'Hurricane' with her cloak billowing out behind her as she staggered to stand against the wind machine as it grew in strength and power, finally blowing her to the ground. A truly magnificent performance.

It was a delight to share in the mad world of Miss Grace Jones for a couple of hours, and some marvellous performances I won't soon forget.

'A Midsummer Night's Dream' at The Novello Theatre

On Thursday night we went to see 'A Midsummer Night's Dream' at the Novello Theatre, just off The Strand (the previous name for the theatre). I want to see more Shakesspeare live and this is a play that, oddly I've never seen, so I jumped at the chance of reduced price tickets. I understood the offer as soon as we were seated - the theatre (or at least the dress circle) was less than half full. Is this a result of the recession or the production?

Now, I'd had a bit of a shit day on Thursday, indeed a shit week, so bear that in mind in my review of the production. Also bear in mind that I actually nodded off a couple of times in the latter parts of the first act... sorry, people, I think it was more me than the production that did that...

I approve of the Royal Shakespeare Company (which Chris renamed the Really Silly Company) and their mission to keep Shakespeare alive and played live, not just read. They count really big names and really excellent actors in their extended rosters over the years, but that's no guarantee of the quality of any particular production. And that was one of the flaws of this production - it couldn't quite decide what it was.

I loved the set, a mirrored floor and backdrop with a huge red sun in one corner of the stage that gradually, ever so slowly, became blue as it travelled across the top of the stage as night falls. I loved the millions of small lights that descended from the heavens whenever the fairies appeared for their scenes, swiftly changing from the 'real' world of the half-world of Fairyland. I loved the twittering and movement of the tribe of fairies ruled over by Oberon and Titania, the wicked tricks they played on the humans when they stumble into the woods. I loved Titania sleeping in her bower, a big sickle moon that raised up in the air, and when she flies on the too-too obvious wires, but I forgive that.

I didn't like the humans. The Duke was dire and couldn't control his shuffling, stamping feet. The young lovers couldn't quite decide if they were playing in a yoof programme like 'Two Pints Of Lager And A Packet Of Crisps' or in a comedy or in a stately entertainment. They seemed to be all over the shop. And the rude mechanicals putting on a show for the Duke's wedding got it about half right some of the time and then descended into playing to the lowest common denominator. Bottom was a bit unfunny. The 'Pyramis & Thisby' scene at the end seemed to go on forever with Thisby (obviously played by a man) kissing The Wall's arse - The Wall was played by a bloke in red underpants - and looking up into the circle for the expected laughter from the traditional school group as he coughed and spluttered in feigned shock at what he's just done. Now, I don't have a problem with being coarse - lots of Shakespeare's scenes and language are coarse and funny, but this just smacked of playing to the gallery and schoolboy/girl humour - ooo rude, points and laughs.


Of the fairies, Oberon liked flapping his big coat around and stood there watching the other scenes - he must've been bored. I liked Titania, a statuesque figure in deepest sparkly blue and I thought Puck was excellent, just the right mix of playing a playing a role and knowingly playing to the audience. I also liked his baggy trousers, reminiscent of the swans trousers in Matthew Bourne's 'Swan Lake' (which automatically gets a thumbs up from me). I know the twittering and jabbering of the troop of fairies could get annoying but I liked them. And the myriad of fairy lights every time they appeared.

I'd decided there was a 'Two Pints Of Lager' flavour to the production early on and then, at half time, found out that Kathryn Drysdale (one of the 'Two Pints cast) was playing Hermia. Whether she was cast as a telly name, as a 'Two Pints' person or because of her acting ability, we'll never know. I quite liked her but, in some of the scenes you could almost see her acting the same as she would with the rest of the 'Two Pints' cast.

Overall, I'd say this warrants a wavering thumb - some good bits (thumb up) and some over-long and over-played bits (thumb down). Still, other than being too tired to really appreciate it, I enjoyed it and I'm pleased I've seen it.

Alela Diane - 'White As Diamonds'

A track from Alela's new album, 'To Be Still', due out on 16 February:

Thursday, 29 January 2009

Shame

Yes, it was me, in the second row of the dress circle at the Novello Theatre tonight, nodding off and, well, ok, sleeping. The shame. It's been a long week, with endless meetings and long days and it's taken it's toll.

The madness of Grace Jones last night, the Royal Shakespeare Company's new version of 'A Midsummer Night's Dream' tonight and the Buzzcock's tomorrow night. I'm sort of assuming that a few dozen 2 minute fast and furious songs played loudly will keep me awake (you can always trust Les Coq de Buzz for some loudness).

Maybe I'm just getting old and can't do the burning-the-candle-at-both-ends thing?

Yes, I'm blushing even as I type. Now I'm off to bed...

Indigo Girls - New Album

Out of the blue, I've heard that the Indigo Girls are releasing a new album on 24 March called 'Poseidon and The Bitter Bug' with an odd Japanese-inspired cover. I heard about this through the Vanguard mailing list since it seems the lasses have signed to Vanguard for this album.

There'll be a double CD deluxe edition as well as a standard edition of the record. I've no idea when they recorded it since they seem to have been on almost perpetual tour since their last album. Mind you, Amy found the time to release another solo album in the meantime so anything's possible. Watch out for it!

Tuesday, 27 January 2009

Amanda Fucking Palmer

The delightful Miss Amanda Palmer has promised me a hug if I ask nicely, and I will. She's heading back to London in a couple of days to prepare for her gig with The Danger Ensemble at The Electric Ballroom next week (4 February to be precise). This will be the last opportuniy to see her with the Ensemble for the foreseeable future so scoot on down to Camden for a great night out. I'm looking forward to seeing the show without Amanda having a leg in plaster.

Tour dates for Europe are below and then she heads down to Oz and NZ.

Wednesday 4 February
London, UK
w/ Detektivbyrån
Electric Ballroom
TICKETS

Friday 6 February
Paris, France
w/ Detektivbyrån
Divan Du Monde
TICKETS

Sunday 8 February
Winterthur, Switzerland
w/ Miss Edith
Gaswerk
TICKETS

Monday 9 February
Fribourg, Switzerland
w/ Miss Edith
Fri-Son
TICKETS

Wednesday 11 February
Toulouse, France
w/ Miss Edith
Bikini
TICKETS

Friday 13 February
Barcelona, Spain
Apolo
TICKETS

Saturday 14 February
Madrid, Spain
Carcol
TICKETS

I wonder if there'll be new merch? I do hope so.

"Let's fold scarves..."

I've just watched the most wonderful 'Romy And Michele's High School Reunion' and re-discovered my inner valley girl. It's one of the most touching feel-good movies ever and I'm more than happy to watch it at any opportunity.

One of the most touching scenes for me is when Michele tells Romy that she didn't realise that high school was bad or that they hadn't been a success in the 10 years since they left school - she thought it had all been a blast. And I agree with her entirely. Conventional wisdom may say one thing but sod that. If you're happy, you're happy.

It's a lovely film and everyone should see it at least once. Anyone for folding scarves?

Monday, 26 January 2009

Taping Records

I had a fun-filled Sunday taping records. I don't know what you call it when you digitise vinyl, so I think of it as taping (yes, I'm old). I got one of those USB turntables a couple of years ago and did lots of taping of the records I had and then forgot about it. I created 'The Complete Jane Aire & The Belvederes' and then proudly blogged about it. After visiting my Dad's house last summer I rescued a small number of records, mainly 45rpm singles from way back when, that deserved to be heard again. Chris brought a load of his old 45s as well and we set about pretending to be engineer and producer in our own little studio.

Zipper - 'The Life Of Riley'

Does anyone remember the fantastically bouncey 'Life Of Riley' by Zipper? I found them in 1979 when I lived in Cardiff although I can't remember how I came across them, maybe through a gig or perhaps just hearing it in a record shop. I liked it and played it lots, a nice slice of punky-pop. The 'B' side was 'Treat Me Right' which is a bit more standard '70s pub-rock, a bit like Dr Feelgood (if you're old enough or well-listened enough to know who they were).

Lori & The Chameleons - 'Touch'

I don't know anything about Lori & The Chameleons (but they have a Last.fm page if you're interested). Another single from 1979 very experimental electronica that I assume I heard on the John Peel show at some point since I can't see it being played anywhere else. Lori talks over a backing track of electronic twiddlings which entranced me at the time. The 'B' side is 'Love On The Ganges' which, before I played it yesterday, I had assumed was the track I liked for some reason. It has a jazzy sound to it, almost electronica-jazz in a way. I think I like the title more than the song itself.

Alela Diane - 'Songs Whistled Through White Teeth'

Three years ago Alela Diane released a six-track 10" vinyl EP which hasn't been released digitally (and I don't suppose it will be). I tracked it down and bought it last year and finally taped it yesterday. Three of the tracks are available digitally but it was nice to finally hear them in a more raw form while Alela was learning her art. The other three tracks also make for interesting listening. Alela's second album is released in a few weeks time so that's something to look forward to.

There's a few for you. It's great discovering old music that you haven't heard for a couple of decades or so and isn't availble (as far as I know) digitally.

I also have my original 'Spiral Scratch' by the Buzzcocks, 'Teenage Kicks' EP by the Undertones and 'Public Image' by Public Image Ltd including the newsprint page that was stuffed in the cover along with the single. I've yet to re-hear 'The Cowboy Song' (the 'B' side to 'Public Image') but I recall it was a nonsense. Let's see if I still think that with the passing of 30 years ...

And So It Begins...

Those latter-day Lords of Noize, Maximo Park, have announced their UK 2009 tour dates and tickets go on sale this week. The tickets will, of course, sell out, so get in early.

Thu 14 May Newcastle - Academy
Fri 15 May Glasgow - Academy
Sat 16 May Liverpool - University
Mon 18 May Southampton - Guildhall
Tue 19 May Birmingham - Academy
Wed 20 May Nottingham - Rock City
Fri 22 May Leeds - Academy
Sat 23 May Manchester - Academy
Sun 24 May Norwich - Uea
Wed 27 May London - Brixton Academy
Thu 28 May Bristol - Academy

Support comes from Noisettes and Stricken City

I'll see you at Brixton!

Saturday, 24 January 2009

Siouxsie & The Banshees Remasters

I've just found out today that the next batch of Siouxsie & The Banshees remasters will be released on 6 April: 'A Kiss In The Dreamhouse, ' Nocturne', 'Hyaena' and 'Tinderbox'.