Monday, 6 July 2009

Amanda Palmer in A Collection Of Musical Videos

God likes me at the moment. Not only do I get a new Buffy record today, I also received my copy of the 'Who Killed Amanda Palmer' DVD, full of the song videos and a couple of docu-vids of Ms Palmer being lovely. Or is that marvellous? Whatever...

It's the same packaging approach as the album, in a cardboard sleeve, but using a still photo from 'Astronaut' as the cover. I'm watching the documentary 'Amanda Speaks' at the moment, in which she talks about where she is, why she tours and why she signs after every show. She's lovely.

There's a video for every song on 'Who Killed Amanda Palmer', including new live videos for 'Blake Says' and 'Have To Drive'. The Michael Pope videos have short connecting films that I don't recall seeing before. It's great to see the videos on the big screen of my telly rather than the small screen of my computer via YouTube.

I've just been remembering when I first met Amanda - after the Patti Smith Meltdown show - when she signed my CD with a flourish. I fell in love that night. Amanda is Art.

I Have Seen The Future ...

... of record shops.

More than once, Chris has opined that you ought to be able to go into a record shop and just download music onto your music player rather than having to buy a CD or other format. Well, now you can.

When I went to pay for my new Buffy Sainte-Marie CD in the big HMV on Oxford Street I noticed a couple of wall-mounted machines just to the left of the main bank of tills. Ever curious, I went to look at them and play with them. Slots for different digital storage devices (although I didn't see an iPod slot) and credit cards, a touch screen for finding music, and you can either order the hard copy or an immediate download. I tested it with Buffy's new record and, amazingly, 'Running For The Drum' is already there and ready to be downloaded. Then I checked the Maximo Park records...

I was ever so slightly gob-smacked...

Buffy Sainte-Marie - 'Running For The Drum'

Buffy's first album of new songs since 'Coincidence' in 1992 has finally been released in the UK today - 'Running For The Drum' has arrived!

I popped into the giant HMV on Oxford Street to see whether they had it and as I left the escalator in the basement section I had a moment of being puzzled by what I was hearing... 'Cho Cho Fire' was being played over the loud speakers. I had to do a quick double-take to check whether I had my earphones in, but no, there it was all around me and a grin escaped. The album *must* be out if they're playing it around the shop and, walking over to the Buffy shelves, there it was.

I occasionally check the Buffy shelves in the folk section and it's nice to see them fully stocked with Buffy records. Last year the CDs were packed into a few shelves but now they're nicely spread out showing the range of her records. I assume this is because the new record is out and the show on the Southbank at the end of the month. It's also nice to see that the show is close to being sold out despite the absence of any significant publicity, even in the Southbank promotional materials - get your tickets now to avoid disappointment.

'Running For The Drum' is, of course, the same as the CD I bought from Canada last year - same songs and same packaging, including the DVD with the 'Multimedia Life' documentary. The only difference seems to be the small wording for the record label on the sleeve - no longer Gypsy Boy Music, now it's Cooking Vinyl and dated 2009. It's been a long time coming, but it's finally here. It's also available to download on iTunes. Thank you Buffy!

And here's the video for the opening song on the album, 'No No Keshagesh':


Sunday, 5 July 2009

Madonna at the O2 Arena

Last night was the first night of Madonna's 'Sticky And Sweet Tour' 2009 at the O2 Arena in docklands. Once again, the Jubilee Line was closed so we had to get a bus from Stratford. Chris got tickets through the fan club so we had good seats to the side of the right side of the stage, right down in the front row and we had an excellent view of the stage and the runway, so much better than the awful Wembley Stadium. I'm not keen on stadium gigs since, unless you're right down the front, it's generally a poor view and poor sound - they're just too big.

After a high class dinner of beer and chips we took our seats. Walking down, down, down, almost to the arena floor and the reality of seats in row A - great seats! Naturally, Madonna ignored the fact of transport problems for her fans and came on a mere hour after the supposed start time (did anyone really think she'd start at 8.15pm?). And that's when the fun started, with the walls of the giant cube on stage showing the Sweet and Sticky video as a warm up to the main event of Madonna appearing on her M-throne, a big grin on her face as the crowd reacted to her presence. Her dancers bowing as she walked down the stairs from her throne to the opening of 'Candy Shop' and off we go!

Being so close to the stage was great, we could see everything she and the dancers did, cavorting across the stage and up and down the runway, smiling and laughing, flirting with the crowd - it looked like she was having a great time. Costume changes were covered by extended dance scenes and, at a couple of points, by videos shot for the show. No doubt they also gave Madonna a breather and chance to get her breath back properly. She's obviously very fit and I felt totally out of breath just watching her skip across the stage and then go all double-dutch during the '80s portion of the set, a brash, colourful backdrop with everyone in colourful tracksuits and caps (not everyone wore a tracksuit in the '80s y'know).

A hard, guitar version of 'Human Nature' had the video of a blond woman in a lift that turns out to be Britney Spears rather than Madonna was a thrill, even though I knew to expect it. The guitar came out a couple of times and, later in the show, her 'Romany' band accompanied her on 'La Isla Bonita', followed by a lovely, acoustic version of 'You Must Love Me'.

I liked the revamped versions of the songs, with themes from '4 Minutes' invading songs and others being mash-ups with slices of songs spliced into others. She didn't just use her own songs for this but had a great version of 'Rain' spliced with the Eurythmics 'Here Comes The Rain Again' during a video break. Whoever did that had a great ear for the sounds and it really works, listening to one song and then veering off into another every so often. With a catalogue like Madonnas there's an awful lot of scope for doing that.

It was a thrill to hear 'Holiday', which I wasn't expecting, and that segued into a tribute to Michael Jackson, with a dancer dress as Jackson appearing to the opening beats of 'Billie Jean', doing some moonwalking and then leaving while Madonna called on us to give it up for one of the greatest artists ever with a photo of the young Michael on the giant video walls. That was a nice tribute. A final tribute was at the very end of the show when Madonna and all the dancers wore a single sparkly white glove on their right hand during 'Give It To Me', with Michael songs playing as the audience left the arena.

Favourites were 'Vogue', 'Music', 'Miles Away', 'Into The Groove' and the lovely version of 'You Must Love Me'. It was also great to hear 'Dress You Up', with the audience singing along lustily, and an upbeat and electric version of 'Frozen'. 'Ray Of Light' got the arena bouncing before closing with an extended 'Give It To Me' and Madonna and the dancers returning to and vanishing in the cube on stage. Madonna certainly knows how to design and build her shows to a climax, and then pulls it off with her own performance and the dancers she surrounds herself with. It was a great show, and all the better for actually being able to see it all!

Saturday, 4 July 2009

If It Feels Good, It's All Right - Ultra FUNK

A euphoric shout of 'If it feels good, it's all right!' is echoing round my living room this afternoon as I gather my funky stuff around me and get down to the beat (man).

The Chairmen Of The Board had some huge hits in the '70s but a song I heard for the first time a couple of years ago when I wisely invested in their 'best of' album is 'Life And Death' - I'd say that that song drips funk from every chord but that would be wrong, drip is so passive, it thrusts funk at you until you're covered in the stuff and start responding. And it has the wonderfully euphoric chorus line of 'If it feels good it's all right!'. Laden with a heavy bass line, electric pianos aplenty (well, they were new in the '70s) and the great vocals of the Chairmen make for perfection. It has a strong feel of Sly & The Family Stone about it which isn't surprising since Sly Stone wrote it.

If you have a single funky bone in your body then head on over to your music service of choice and download 'Life And Death' now. And then buy the album - it's full of forgotten goodies.

Friday, 3 July 2009

David Essex

I went to see 'Evita' in Newcastle on Monday night and, when the Che character started singing 'Oh What A Circus' I yearned for David Essex's voice (he was the original Che). So I downloaded it. Then I thought I'd take a listen to his other hits. And downloaded them. There are lots of David Essex collections out there but none have all his singles on them - how odd.

A re-evaluation of David Essex is well overdue. He started out as a drummer and a singing actor, taking the lead role in 'Godspell' and then had a surprise hit single with 'Rock On' (that was also a hit in America). He followed this with 'Lamplight' and 'America' before hitting the top spot later in 1974 with 'Gonna Make You A Star'. A year later he went to No. 1 again with 'Hold Me Close' after lesser chart positions for 'Stardust' and 'Rolling Stone'.

The odd thing is that although 'Gonna Make You A Star' and 'Hold Me Close' are both pop gold, his other singles would, these days, almost be considered 'indie' yet he was always treated as a teenie-bop star. Obviously it was because he was a pretty boy and fodder for the front cover of 'Jackie' and other weekly girls magazines. 'Rock On' still sounds fresh and different today and so do his other singles from the time, but they never appear on compliations of the '70s.

David was always an actor, from 'Godspell' onwards, to the films 'That'll Be The Day', 'Stardust' and 'Silver Dream Racer'. I remember liking his series, 'The River' in the late '80s when he ran a windmill beside a canal, a gentle comedy. He starred in 'Mutiny On The Bounty' and lots of other stuff. But I go back to his music in the '70s for proof of his abilities and what great songs and performances they were.

Go on, sample David Essex again. There's something there for everyone...

Amanda in the bath with Neil...

What will she get up to next? Amanda is interviewed about the 'Who Killed Amanda Palmer' book (published next week, by the way) with Neil Gaiman, both in a sudsy bath. Not entirely sure why, but hey-ho... and learn about the girl pony that poops diamonds...

Thursday, 2 July 2009

Newcastle In June

I've been on a short trip to Newcastle-upon-Tyne, city of bridges and Geordies, and, of course, my little brother and his wife who looked after me and fed me and forced me to drink alcohol. It's a year since I'd been up North so I thought I'd take some time off work and head up the east coast. I booked into the Copthorne Hotel on the Quayside for a few nights since I quite fancied staying in town. My room looked out over the Tyne and, looking left, the grand sight of the High Level and Tyne Bridges. That's all I need to see to know where I am.


The Quayside has been totally renovated in the last decade or so. When I lived outside Newcastle the Quayside was a bit sleazy and run-down but it's nothing like that now, lots of remodelling of the old buildings to retain the Georgian and Victorian facades but put to new purposes, such as the old Fish Market now being a nightclub. Lots of buildings seem to be clubs and bars down there, or the restaurants you need to line the stomach before boozing, food from all over the world concentrated in a small area. I loved it. I took lots of photos of the bridges Newcastle is famous for and, when I was lucky, blue skies behind them and reflections in the almost still Tyne river. See below for more bridges.

On Sunday evening I wandered down the Quayside in the sunshine, taking photos of the bridges and buildings, down as far as the 'Blinking Bridge', the Millennium Bridge that raises to let ships through to dock and looks like it's blinking. Over the river on the other side of the bridge is the Baltic Gallery and the Sage concert hall. I wandered back along the Newcastle shore and stood watching people abseil down the side of the Vermont Hotel (12 storeys or so) for some unknown reason and suddenly there beside me were Derek and Tracy to look after me for the evening - food and drink ahoy!


Monday dawned a bit cloudy and hazy but, since I was a tourist in my home town, I got out my shorts and headed into town - that should really be *up* into town since the Quayside is at river level (obviously) and the rest of Newcastle is much higher up a steep incline. It's a heart-attack inducing incline for tubs of lard like me and the locals just loved to rub it in by skipping up and down the hill like frisky lambs (not really). First stop was Fenwicks for a birthday card for my eldest nephew and then breakfast in the cafe/restaurant my parents used to frequent. Then the hard slog of combining shopping with sight-seeing.

It was nice to wander round with no fixed agenda or schedule to keep to. Newcastle saw the building boom of the industrial revolution and Empire in the 18th and 19th centuries with grand promenades of Georgian buildings long since turned into shops and offices. I walked through the old covered Grainger Market and the ageless brown and cream Central Arcade, up and down Northumberland Street, the main shopping street, dipped my toe in Eldon Square to go to Bainbridges/John Lewis (I bought The Most Beautiful Shirt In The World there last year so I was hopeful, but my hopes were dashed), up to the Haymarket (which is being rebuilt *again*) and all over. I stopped for lunch in 'Collectables', a favourite of Mam's and, later, Dad's.

I went to the Laing Gallery, somewhere I haven't been for about 30 years. It's changed, and I'm not sure it's for the better. Downstairs seems to be all shop and cafe and the gallery is now only on the first floor and, given my bad timing, only one gallery was open since they were changing exhibits. But, lucky for me, the painting I wanted to see was on display - 'The Bard' by John Martin, a depiction of the last Bard in Wales hunted down by Edward I. I remember this painting from 30 years ago hanging at the top of the stairs (so you couldn't step back to see it properly) and it left it's mark on me. John Martin, a sort of local boy made good as a painter, had a few other paintings in the gallery and I'm pleased they were still there.

You really need to see the detail of 'The Bard' to enjoy the painting - the endless army of Edward I's winding back into the hills - and the card available from the gallery shop doesn't do it justice. The painting that really jumped out at me on this visit was John Martin's 'The Destruction of Sodom & Gomorrah' with it's raging red furnace at the centre of the painting. It almost radiated physical heat and really caught my attention. Oddly, the shop didn't sell any cards of this painting although it featured on the cover of a book about art galleries in the north. C'mon guys, sell postcards and prints of all your collection - it's not that big a collection really.


After that I headed back to the river and walked over the Tyne Bridge to Gateshead and along the river bank to the Sage, the new concert hall enclosed by glass on the south bank of the Tyne. I had a brief wander round the public areas of the Sage and decided that I'd like to see a concert there - it's purpose-built so the acoustics must be perfect. I then wandered over to the Baltic Gallery to see the small exhibit of amusing Penguin Book covers by Harland Miller and the odd installation by Sarah Sze which seemed to have been developed as an installation for that specific space. I like it. Bits of wool and string twined around sticks and gaps in the flooring, a fan making paper flutter in the breeze, a series of small boxes spread out on the floor... interesting stuff.


That evening we went to see 'Evita' at the Theatre Royal. I've never seen it on stage before and I'd never been in the Theatre Royal so that's reason enough to see it. Because I'd booked so late we had seats in the stalls that meant we didn't see everything on stage (such as the top half of Eva when she sang 'Don't Cry For Me, Argentina' on a balcony on stage) but it was enjoyable anyway. The bloke who played Che was a runner up in 'Any Dream Will Do' so had a voice, just not the right sort of voice or sufficiently versatile a voice for Che - there was little drama or emotion to his voice (I yearned for David Essex's versions of the songs). Evita was played by the understudy who, in the first half, couldn't decide if she was Madonna or Elaine Paige (certainly not Julie Covington) but settled down into her own style in the second half and was much better. We then went to Fitzgeralds for more alcohol (see? I was forced).

On Tuesday morning, Derek came to the hotel to pick me up to drive me to Alnmouth - lucky for me he had a day off work. Alnmouth was one of Mam and Dad's favourite places so it's nice to visit to say hello and wander along the beach. Alnmouth is a nice little town and the river Aln escapes into the North Sea here after having flowed through Alnwick, scene of the Harry Potter films. It's a nice town and, if I lived there, I'd want to live in one of the houses that overlook the sea to watch the North Sea storms. We then drove down the Coast Route towards Newcastle and to Derek's house to see his tomato plants and ginger puss-cat, called Ginger. The moist smell of the plants reminded me of my Granda's greenhouse on his allotment at Emmaville that was always packed with tomato plants in summer.

Wednesday morning I braved the steep hill up from the Quayside to visit the Castle Keep (from which Newcastle gets its name) and the Black Gate. The olde castle was a big affair, originally built by the eldest son of William the Conqueror and then rebuilt over the years. Nowadays all that's left is the Keep and the Black Gate and bits of masonry around town. It's built on a high point right above the river (as all good castles should be) and is an imposing sight from down below on the Quayside level. It became the city prison in the 17th century which must've been a bit grim. Strangely enough, I've not been inside the Keep, so that's something for my next visit.

And then came the trek downhill from Newcastle to London and the trip across London in the sweltering heat. It's nice to get out of London now and then. It's nice to see the bridges. I like the Quayside.

Linda Thompson - News From Hector

I mentioned a while back that Linda Thompson was trying to raise funding for her new record through The Hector Fund. Well, those nice people at Hector have given the world a new Linda Thompson song, a live version of 'His Mother Didn't Like Me Anyway' written by Gerry Rafferty.

Head on over to Hector to download the song and find out more about the fund and all the options for supporting Linda.

Maximo Park at The Royal Albert Hall

Lucky me, I have just acquired tickets to see Maximo Park at The Royal Albert Hall on 9 October. Now, *that* should be fun, seeing Paul scissor kick in that most august of concert halls. And, for once, I should have a good view of the stage (at least in theory)!


I wonder if it's going to be filmed...?