Thursday, 17 April 2008

Beth Rowley at Bush Hall

Tonight was the turn of Beth Rowley who was playing her very first headlining gig at Bush Hall in Shepherd's Bush and we had ticket numbers 6 and 7. We saw Beth last summer on the bill supporting Kiki Dee at the IndigO2 and I've watched her ever since. She has a marvellous voice, effortless and big, and her first album is due out in late May. A few songs are available to download from iTunes and available to listen to on her MySpace site.

Beth came on stage with a four-piece band and opened with 'Nobody's Fault But Mine', the lead track on her 'Violets' EP, and proceeded to play all the songs I knew (except 'Be My Baby') and new songs from the album. Favourites of mine are 'I Shall Be Released' and 'Oh My Life' and it was nice to see and hear Beth sing them. Most of the songs were bluesy, which Beth's voice is great for, but I can't help wondering what the market is for the blues these days. Mind you, the music biz is evolving and people can carve out very successful careers in niche markets so I don't think Beth need worry.

There was a slight feeling of this being a practice outing in preparation for the tour and the launch of the album and I was happy to be practised on. Beth has the voice - that's not up for question - but I'd like to see her take a bit more of the stage for herself - she's the star of the show and could be a bit more assertive. I'm sure that'll come in time and this tour is probably exactly what she needs.


If you get the chance go and see her and watch out for the album. There've been a few new 'girl singers' recently and I think Beth beats them all with her very versatile and powerful voice and good selection of songs. And I'm pleased to be able to say I was at her first headlining gig! Well done Beth!

Monday, 14 April 2008

'Box Of Secrets' by Blood Red Shoes

The debut album from Blood Red Shoes came out today and I'm enjoying listening to it played loudly. I've seen them play live a couple of times (supporting Maximo Park and Siouxsie), got a few of their singles and enjoyed their music. They're a guitar and drums duo, Laura-Mary on guitar and Steven on drums, with both taking lead vocals on different tracks or swapping vocals during songs.

Eleven tracks, crash-bang-wallop, thumping drums and harsh, abrasive guitar, lots of background shouting, relentless from start to finish and making a lot of noise for two instruments. Four of the tracks on the album have already been released as singles over the past year (although they're not all available for digital download, some being physical only) and they're the most immediate on a first listen but the other songs start getting their own identity on second listen.

The songs are all recognisiably by Blood Red Shoes, the same sound, the same energy, which makes for a relentless album but it works. The record drips energy and life. You can almost see them in front of you banging away on the drums and plectrum blurring, fast and energetic. I wonder if there's a kind of SLADE thing going here - no, they don't sound like SLADE - in that they're trying to capture the sound and feel of a gig, something SLADE tried in all their early records. Blood Red Shoes are certainly good live, testified by their current mostly sold out tour (London is sold out so I won't see them on their own tour but they're supporting the Maximo's again in May so I'll see 'em then).

Of the new songs (or rather previously unheard songs) I'd single out 'Take The Weight' which is slightly slower paced without the buzz-guitar in the verses and more complicated vocals and then the Blood Red Shoes sound kicks in for the choruses. I'm also quite taken with 'Forgive Nothing' with a chorus of 'Oh so? Never mind' and (whispers) vocal harmonies...

The packaging is nice, with a booklet with more of Laura-Mary's artwork (she designs their covers) and the lyrics inside. The CD came in a slip-cover but I think that's only if you buy it from HMV (although I might be wrong there). It's nice that HMV have got behind the album (there were even copies at the small shop in Victoria station this evening) and iTunes are selling it for the knock-down price of £5.49 for six months. I'm enjoying the record and will play it lots over the coming weeks - I suspect I'll hear more with each listen. Well done!

'You Bring Me Down' is one of my favourites and sums up Blood Red Shoes for me - it has all their energy, qualities and sonic foibles. You can see and hear it here:



Sunday, 13 April 2008

Green Balls

Have you seen my green balls? I have two.

The first is a light-ball with a re-chargeable battery that glows green, a Mathmos 'bubble' from Old Street in London. The second is a bouncy ball full of fluid and green glitter from the Museum of Modern Art in New York that I picked up a couple of weeks ago.

I like coloured lights and have a 1 ft green Buddha light in my living room and a small green frog-sitting-on-a-lily pad light in my hallway.

One day I'll share them with you.

Friday, 11 April 2008

Cho Cho Fire!

Now and again when I go into the large HMV shop on Oxford street I go downstairs to the folk section to check on the Buffy Sainte-Marie CDs, straighten them up and make sure they're prominently displayed and other, rogue, CDs aren't covering or obscuring them. I joke that I'm checking for a new record but I've never found one. Until today...

I walked over to the Buffy shelves and noticed that they'd stocked up the 'Best Of', 'Up Where We Belong' and 'Coincidence', and saw something pinky-orangey out of the corner of my eye. Clearly they've mis-filed a CD and mixed it up with Buffy CDs. I picked it up, looked quizzically, thought 'how odd' and then noticed something, a small note in pink on the cover that said "Featuring previously unreleased material from Buffy Sainte-Marie"... and then I turned it over to look at the track listing and there it was, 'Cho Cho Fire'!

I saw Buffy perform this song at her Highline Ballroom gig in New York a couple of weeks ago and it's full of energy and optimism, rock drumming and guitar riffs with Buffy singing on top, to be joined half way through by pow wow singing as the song builds and builds. Three minutes of perfection!

Buffy invites us into her world

'Ooo you better wake up
Man, it's like you're dead and gone...
... I know you're a city boy...
... would you come out to a new world?
I promise that I'll take it slow."

She sings that people are "Running For The Drum", the title of her new album, and the Drum is clearly meant to be a life enhancing experience, open yourselves up to it and a fuller, more satisfying life. And the chorus asks,

"Are you ready? come on now
It's a new world, Cho Cho Fire
Listen to the drum beat, that's my heart beat
Have a little fun now, Cho Cho Fire!"

... with a pow wow 'Heya heya' acting like punctuation marks and increasing in prominence as the song builds to a glorious pow wow finish. I love it!

The CD is a collaboration between Oxfam and the World Music Network and 28p from each sale goes to Oxfam. It's presented in a 100% recycled and recyclable cardboard, fold-out sleeve with notes about all the featured artists and a short essay about native American music. It notes that Buffy became known as a writer of protest songs and love songs and goes on to list people who've covered her songs. Most of the tracks on the CD are in a very 'new age' or traditional style, quite 'chill out' with a few pow wow songs, but Buffy's is the only 'pop' song and stands out a mile.

The album is available from World Music Network and you can listen to short samples of the songs so give it a go.

A new Buffy song after all this time - coo! The new album is going to be fantastic if this song is anything to go by!

Thursday, 10 April 2008

St Trinians

I have ventured into the Dark Side and acquired the soundtrack to 'St Trinians'. I watched the film on the plane to America a couple of weeks ago and it attached itself, limpet-like, to my brain.

Now, I love the original St Trinians films with Alistair Sim, they're great fun in an old skool, jolly hockey sticks, middle class way. I didn't see the 2007 re-make at the cinema - Rupert Everett in the Sim's role? impossible! - so thought I'd snigger at it on the plane. But I didn't snigger at it, I sniggered with it. It's great fun with every stereotype going, mercilessly taking the piss out of everything in a gentle way with their tongues placed firmly in their cheeks (ooer, missus).

The girls were wonderful and they played it quite nicely in the casting to avoid any dodginess, with the schoolgirls clearly being girls and the 6th form clearly being older than their supposed years so seeing them in gym slips and stuff wasn't too pervy. I'm not sure how Rupert Everett was playing it - he wasn't in drag or a panto dame, he seemed to be acting a woman, playing it straight, and that probably meant he missed a few laughs.

The soundtrack is great - pop-songs-a-gogo from the marvellous Sugababes, Girls Aloud, Lily Allen, Sophie Ellis-Bextor and more, plus two songs from the girls in the cast. Girls Aloud get two tracks and they're not too bad. I don't think I've ever heard one of their songs all the way through so maybe I should investigate more. There are a couple of lines in their 'theme' song that grate on me: "defenders of anarchy" and "we do as we damn well please", neither of which are in the St Trinians spirit at all. If you've got to tell people you'll do as you please then you've lost it, a real St Trinian would just do it. I would've liked to hear an update on the original St Trinians theme but that's not included in the film for some reason.

Now, if you'll excuse me, I'm off to brew some hooch, rob a train, visit a swanky nightclub and get back to skool in time for tiffin...


Can't wait for the DVD!

Tuesday, 8 April 2008

Veterans for Peace March, Washington

A few weeks ago, the 'Veterans For Peace' march in Washington stopped off to see Buffy Sainte-Marie, who was in town for a few days, and she sung 'Universal Soldier' for them. It's a song about individual responsibility for war - it's over 40 years old and, sadly, still relevant today.



Buffy also recited her poem, 'The War Racket' (scroll in about 3 minutes to hear the recitation).



Thank you to whoever recorded these for posterity.

Trouble

Does your blog ever get you into trouble?

This afternoon I was briefed about an event we're holding next week, shown the video materials and brochure and wotnot. The brochure had an empty page at the start with my name on it. Apparently I have to write the introduction since it's my event. And it goes to print on Friday so I need to get my finger out.

Before I could offer the obligatory, 'You what...?' in an outraged tone at the lack of advance notice followed by blustering and general babble, one of my colleagues chipped in with ' That won't be a problem, you go home an write a few hundred words in your blog every night, this'll be easy-peasy' (or words to that effect).

Ahem.

I don't blog *every* day and, besides, that's different.

*You* know who you are.

Monday, 7 April 2008

'No, Virginia' by The Dresden Dolls

The new album from The Dresden Dolls, 'No, Virginia' will be out in May - the blurb talks about 20 May but that's a Tuesday, so I expect it to be out on 19 May in the UK. It's billed as 'A Collection of unheard Treasures from the Vault of the Punk Cabaret taken from the 'Yes Virginia' Sessions and featuring New Songs from the Winter '08 Sessions'. Cor.


May looks like it's shaping up to be an excellent month.

A Special Announcement from Maximo Park

Maximo Park are doing a one-off gig at the Forum on 28 May with three support acts including Blood Red Shoes. The latest blog from me Geordie Lads says:

Maximo Park are pleased to announce a special one off concert at the Forum in Kentish Town, London on 28th May 2008!

Support comes from Mystery Jets, Blood Red Shoes and Pete and the Pirates. The show is in aid of two cancer charities including The Royal Marsden. It will be one of the bands few live appearances this year and looks like being a very special evening. All proceeds from the night will go to charity.

Pre-sale to mailing list members will start at 9am on Tuesday 8th April and will go on general sale to the public on Wednesday 9th April.

Tickets are on sale at £20 for general admission and £50 with access to some free booze, food and dj's at the aftershow. Good luck with getting your tickets!

Paul writes "When someone you know is up against cancer it makes sense to give them your full support. Since that is currently the case, and that person is being treated at The Royal Marsden hospital, which was recently damaged by fire, we decided to do what we can as a band. What we do best is play concerts and we intend to give all profit from our gig at The Forum to help rebuild the cancer unit where they not only look after sufferers but continue to further our knowledge and treatment of the disease. We've never been a preachy band or asked people to shell out daft amounts for tickets, but this show will be well worth the entry fee for a number of reasons."

Well, I know what I'll be doing at 9:00am tomorrow morning...

Sunday, 6 April 2008

Dame Kelly and The Torch

I watched the coverage of the Olympic Torch passing through London on the BBC tonight and part of me was delighted about the pro-Tibetan protestors. Good on them.

I was also delighted to see Dame Kelly Holmes carrying the Torch on its last leg and she held it higher and straighter than anyone else, pride in every movement.

Kelly placed a statement on her site about the Torch:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

When the Olympic torch is handed to me, I will be gushing with pride knowing I am on the final leg of its journey across London.

But do I have any qualms about being part of this celebration? None at all. I would not want to be anywhere else.

Sport and politics do not mix, but there is a place for both of them and I will understand if peaceful protests do take place in the capital because of the unrest in Tibet so close to the Olympic Games in Beijing.

But we must understand that if the human rights issues in China are something that the politicians have been unable to sort out, why should it fall on the responsibility of athletes who have trained their whole lives to run, jump, swim, cycle or just be part of the unique experience which the Olympics brings?

In the end, the only losers when the Games are boycotted are those people who have spent years dedicating themselves to be there.

The origins of the torch take us back to the ancient Olympics in 776 BC, when messengers were sent out from Olympia to the neighbouring Greek cities to announce the Games were about to start. It signalled a halt to military conflict – a truce while the Games took place. The modern torch relay has become a symbol of that truce, and it is why Sunday should be a day that is embraced.

London will be at the centre of the sporting world and for those youngsters out there watching the relay, how many will become inspired to turn off their video games and take part in sport?

While all the attention is on the Torch relay, this week I am running my fourth ’0n Camp with Kelly’ education camp for athletics hopefuls who have London 2012 as their focus, so I know first-hand how the Olympics is in the heart of the young. But for others, the relay could be their inspiration, and starting point, to launch a career in sport.

This time the torch is making only a brief visit. But in a little over four years, London will be its final destination when the Games arrive in our capital.

Sunday will be a magical day, just like the Olympics are a magical occasion and I should know as well as anyone. I spent the whole of my athletics career striving towards achieving the ultimate success, winning a gold medal at the Olympics. Never did I expect to leave Athens with two golds, but that is what the Olympics can do.

All those days of training in the rain; all those occasions of dealing with injury. In the space of a few minutes, the Olympics provided me with tears for all the right reasons.

The Olympics can make dreams happen. It is why the relay here is so important and why we hope that any protests that might take place this week, and on future parts of the torch relay, do not disrupt the essence of the Olympics.

The Olympics is not going to go away. That was proved in 1980 and 1984. Both of those Games had countries boycotting them but now, nearly three decades later, when we think back, we remember the brilliance of Sebastian Coe winning the 1500m in Moscow, Daley Thompson celebrating decathlon glory in Los Angeles as he retained his title in style and the brilliance of a young Carl Lewis sprinting his way into history with four gold medals. We do not even think of the nations that were not there.

Sport triumphed. I am sure it will again. We all want the world to be a safer place, with everyone equal, but disrupting the special occasion of the Olympic torch arriving in London would achieve nothing.

Kelly